Australian seascape and landscape photography

Posts tagged “landscape

The Water is Back – Meningie

Following are a few images from Meningie, on the banks of Lake Albert in South Australia taken in December last year (2010).
I was told by the Bev at the Lake Albert Motel that the lake has only recently recovered from the drought. Apparently for some time there wasn’t water anywhere near the jetty pictured below.

Below – Traces – Meningie, South Australia, Lake Albert.
Traces - Jim Worrall - Meningie - Lake Albert - South Australia - jetty

Below – Rise and Fall – Meningie, South Australia, Lake Albert.
I have no idea what those posts are doing out there in the water.
(Update – 31-01-11 Bev at the Lake Albert Motel has informed me that the posts in the water are there to provide a roost for the local pelicans. That makes sense.)
Rise and Fall - Jim Worrall - Meningie - South Australia - Lake Albert

Below – Aspects of Abundance Meningie, South Australia, Lake Albert.
Pelican roosting posts.
Aspects of Abundance - Jim Worrall - Meningie - South Australia - Lake Albert

Below – Meningie Some wonderful action going on in the clouds here.
Meningie - Jim Worrall - South Australia - Lake Albert

Below – Unbreakable – The second most sturdy piece of outdoor furniture I’ve ever had the pleasure of sitting on.
Unbreakable - Jim Worrall - Meningie - South Australia


Hunting the white water – Pinnacles, Phillip Island

Following are some images from The Pinnacles rock formation at Cape Woolamai on Phillip Island. We were hoping for some nice big waves but unfortunately the conditions conspired against us that day.
The images were created using HDR techniques to capture the full dynamic range of this very contrasty environment, i.e. 3 bracketed exposures at 0,-2 and +2 EV. I had an ND400 neutral density filter on the front of the lens to allow longer exposure times and give some sense of movement to the water and clouds.

Below – “Chasing Dinosaurs”
Chasing Dinosaurs - Jim Worrall - Pinnacles - Phillip Island

Below – “Waiting for the Swirl of White”
Waiting for the Swirl of White - Jim Worrall - Pinnacles - Phillip Island

Below – “Sea Level”
Sea Level - Jim Worrall - Pinnacles - Phillip Island

Below – “Lost in the Moment”
Lost in the Moment - Jim Worrall - Pinnacles - Phillip Island

Below – “The Risky Swim”
The Risky Swim - Jim Worrall - Pinnacles - Phillip Island


The Grantville Goal Posts

Captured below, a long exposure image of the incoming tide starting to submerge the concrete boat ramp at Grantville on Westernport Bay.
Due to the long shallow nature of the ramp the “goal posts” are used as a guide by boat owners to help prevent boat trailers from being driven over the sides or end of the ramp and into the mud/water.

Below – “Moving the Goal Posts”
Moving the Goal Posts - Grantville boat ramp - Jim Worrall - Westernport Bay

Below – The boat ramp fully submerged with the Grantville jetty to the left and the sun shimmering on the foreground water.
Grantville jetty and goal posts - Jim Worrall - Westernport Bay - Australia


Exploring Cape Schanck

Cape Schanck is located at the southern tip of Victoria’s Mornington Peninsula.
The beaches here offer a feast of opportunities for photographers. At the tip of the cape sits Pulpit Rock, a huge monolith standing proud amongst tidal rocky platforms.

Cape Schanck - Jim Worrall - Mornington Peninsula - Australia

At low tide the rocky platforms are exposed allowing fairly easy access to a large number of rock pools. These pools are home to a variety of sea creatures including small fish, crustaceans and octopuses. Depending on the time of year the pools can contain various forms of brightly coloured seaweed, providing wonderful hiding places for the rock pool residents. This is a great place to dunk your waterproof compact camera if you’re lucky enough to own one. Unfortunately I don’t own one (yet).

Below – Pebbles at the Pulpit
Cape Schanck - Jim Worrall - Mornington Peninsula - Australia
The beach leading out to Pulpit Rock is covered by rounded rocks that roll around and pound into each other with each wave creating an interesting sound that’s quite difficult to describe.

Below – Cape Schanck Lighthouse overlooking the west side of the cape.
Cape Schanck Lighthouse - Jim Worrall - Mornington Peninsula - Australia

Below – Cape Schanck East. The eastern side of the cape provides a rocky beach where there are lots of opportunities for the photographer who enjoys capturing waves crashing over and around rocks. I took quite a few long exposures here.
Cape Schanck - Jim Worrall - Mornington Peninsula - Australia

Below – The Schanck. The white surf and dark rocks contrast each other nicely and provide excellent material for making great black and white images.
Cape Schanck - Jim Worrall - Mornington Peninsula - Australia


Fluid in Motion – Flinders

One of my favorite spots for photogenic wave action along the Mornington Peninsula is Flinders.
West of the township the rugged coastline features extensive cliffs with access to the rocky beaches in only a few places.
The deliciously dark rocks here provide a wonderful contrast to the bright white surf as waves from Bass Strait relentlessly pound the beach.

Fury at the Waterline
Fury at the Waterline - Flinders - Jim Worrall - Mornington Peninsula - Australia

On this occasion I visited the beach during the early afternoon so conditions were extremely bright and contrasty.
I used an ND400 filter, sometimes in combination with an additional ND8 filter, to darken the scene and enable the use of slow shutter speeds to blur the moving water.

Carpet of Motion
Carpet of Motion - Flinders - Jim Worrall - Mornington Peninsula - Australia

It’s always fun and games being close to the edge in places like this. Despite keeping one eye on the camera and the other eye on incoming waves I was caught by surprise on a couple of occasions during the afternoon and drenched by rogue waves exploding on the rocks.

The Channel Run
The Channel Run - Flinders - Jim Worrall - Mornington Peninsula

This is really quite an extraordinary spot from a photographer’s perspective. Not so special for the grand seascape but more for the myriad of recesses where the surf dynamically interacts with the rocks.

Flinders - Jim Worrall - Mornington Peninsula - Australia

A Rumble in the Clouds - Flinders - Jim Worrall - Mornington Peninsula - Australia


Construction at Powlett River

The construction of the controversial desalination plant near the mouth of the Powlett River has yielded a temporary point of interest for photographers.
A large platform has been placed offshore to assist with the construction of the required underwater pipeline.
Although not the most beautiful structure in the world, it acts as a nice point of interest for an otherwise potentially boring background.
I’m in no way a supporter of this project but I decided to take advantage of the platform while it’s there and took a series of images from the spot where the Powlett River meets the ocean.

The idea behind the images was to use the lines created by running water and rock edges to draw the viewer into the scene towards the platform in the background. The images were taken in bright mid afternoon light using strong ND filtering to enable the exposures to be long enough to blur the water.

Below – Platform One
Platform One - Powlett River - Jim Worrall - Australia

Below – Platform Two
Platform Two - Powlett River - Jim Worrall - Australia

Below – Platform Three
Platform Three - Powlett River - Jim Worrall - Australia

Below – Mouth of the Powlett – Looking north-west across the mouth to the sand dunes, the waves crashing onto the rocks in the foreground just appear as mist due to the long exposure time.
Mouth of the Powlett - Jim Worrall - Australia

Below – a couple of experimental panoramic shots of the river and dunes.
Powlett River - Pano 3 - Jim Worrall - Australia

Powlett River - Pano V2R - Jim Worrall - Australia


Exploring Ricketts Point, Beaumaris, Port Phillip Bay

Ricketts Point is a marine sanctuary located south east of Melbourne in Port Phillip Bay. When viewed from the land it’s an unremarkable looking series of sandstone rock platforms. Apparently under the waterline the platforms support a great diversity of flora and fauna.

Icon - Ricketts Point - Beaumaris - Jim Worrall

When viewed from a land-based photographer’s perspective the area looks pretty ordinary during bright daylight hours.
Towards the evening the area becomes more attractive as it provides an unobstructed view of the setting sun and also provides some foreground interest in the form of waves swirling around rocks at the edge of the platforms.
This provides a good opportunity to catch some nice long exposure images.

Cauldron - Ricketts Point - Beaumaris - Jim Worrall

Geometry - Ricketts Point - Beaumaris - Jim Worrall

Prior to the sun setting, the rocky platforms serve as a meeting place for several species of birds. Amongst them are a very tolerant group of pelicans. They don’t seem to mind people getting relatively close to them here which provides a nice opportunity for bird watchers and photographers.

Pelican - Ricketts Point - Beaumaris - beach - Jim Worrall

Pelicans - Ricketts Point - Beaumaris - beach - Jim Worrall

Pelican - Ricketts Point - Beaumaris - beach - Jim Worrall

Pelicans - Ricketts Point - Beaumaris - beach - Jim Worrall

Self Exploration - pelican - Ricketts Point - Beaumaris - beach - Jim Worrall


Chopsticks at Corinella

An excursion to Corinella revealed “the chopsticks”, large angled posts planted in the muddy sea bed. Remnants of some past structure.
Pictured below – “Chopsticks 1” available as a print here.
Chopsticks 1 - Corinella - Jim Worrall

Pictured below – “Trio” available as a print here.
Trio - Corinella - Jim Worrall

Below – To give some sense of scale I planted myself in this shot, …and it certainly wasn’t easy holding myself still in this position for the long exposure. 🙂
Corinella - Jim Worrall

Below – A view of the beach on the south-west facing side of Corinella.
Corinella - Jim Worrall


To the tip of Cape Liptrap

Cape Liptrap is located on Victoria’s south east coastline overlooking Bass Strait.
On the high ground just back from the pointy end of the cape sits the Cape Liptrap lighthouse.

Below – “Warrior of the Dark” available as a print here.
Warrior of the Dark - Cape Liptrap lighthouse - Jim Worrall

Below – “Night’s Witness” is available as a print here.
Night's Witness - Cape Liptrap Lighthouse - Jim Worrall

If you enjoy real excitement, and don’t mind a bit of exercise, it’s worthwhile to jump the fence at the lighthouse and walk/slide your way out to the pointed cliff.
Peering over the edge of the cliff you’re greeted by an amazing rockscape being pounded by the violent waves of Bass Strait. The scene is captivating but I wouldn’t recommend it if you have a real fear of heights.

Below “Vertigo – Over the Edge” available as a print here.
Vertigo - Over the Edge - Cape Liptrap - Jim Worrall

Below – a friend perched on the edge of the cliff enjoying the scenery and of course taking some shots.
Tip of Cape Liptrap - Jim Worrall


Grantville – the pie and pier photography tour.

My excursions are never entirely about the photography. Often they’re about the escape, ….often they’re about self exploration, …….every now and then they might even result in a nice photographic image. Well, nice to me anyhow. 🙂

On previous visits to Grantville I’ve tended to concentrate on trying to capture an inspiring image or two from the mangroves dotted along the coast here. The mangroves are a fairly easy target for photography purposes. At high tide it’s possible to visually isolate them between the water and the sky which works to simplify the image by excluding potentially distracting background elements. On calm days the water can also act as a fantastic mirror for capturing reflections, particularly when doing long exposures.

Grantville pier - Jim Worrall jetty Westernport Bay

This particular visit to Grantville was all about capturing the pier though, so here it is.
In the black and white image above I’ve deliberately over exposed the image to blow out the sky and increase the contrast between the pier and the background. I personally like the contrasty result here, but I know this style of image is not everyone’s cup of tea.

Pictured below – “The First Days of Sun” which is available to purchase as a print here.
This image from the pier was created from 3 exposures using HDR tone mapping techniques to maintain details in both the bright sky and the dark shadows.

The Fisrt Days of Sun - Jim Worrall - Grantville pier - jetty

Pictured below – “The Promise of Warm Days” which is available to purchase as a print here.
Another 3 exposure HDR shot converted to black and white and processed with a bit of dodging and burning in Photoshop.
The Promise of Warm Days - Jim Worrall - Grantville pier - jetty

Now for some serious business. I’ve discovered that the cafe on the corner of the Bass Hwy and Grantville Glen Alvie Road in Grantville sells excellent homemade meat pies made with flaky puff pastry. The coffee is pretty good there too.
(Disclaimer – I have no connection with this cafe at all, I just enjoyed the pie so much I felt the need to share it with you.)


Slowly submerging in Tooradin

The coastal village of Tooradin is located on the shores of Westernport Bay, Victoria, Australia.
Since I live fairly close to Tooradin I often pick up a hot pie and a cappuccino from the wonderful bakery here and drive down to the jetty area for a relaxing break.

Tooradin has two jetties right next to each other. One jetty is of a floating pontoon design which rides on the surface of the water, rising and falling as the tides change. The other jetty is the usual kind consisting of a raised platform fixed to sturdy wooden pillars.
An interesting thing about the fixed platform jetty is that the platform gradually disappears below the surface of the water as the tide rises. This provides the photographer with some interesting possibilities.

Below – the rising tide starts to envelope the platform.
Tooradin jetty - Jim Worrall pier westernport bay

Standing on this jetty makes one feel like a captain going down with his ship.
Below – “Channel” which is available to purchase as a print here.
The platform is just a few centimeters below the surface.
Tooradin jetty pier Jim Worrall

After taking a few long exposures at the jetty mother nature decided to give me a nudge. The thick black storm clouds opened up and sent down a barrage of hail to chase me back to the car.

Below – Run from the Hail
Run from the Hail - Jim Worrall - Tooradin jetty - westernport bay


The Jetties of Portsea and Sorrento

Portsea and Sorrento are coastal villages located at the tip of the Mornington Peninsula, south east of Melbourne. They both share a wild and woolly ocean beach to the south and the much calmer waters of Port Phillip Bay to the north. As a photography enthusiast I enjoy the contrast between the ocean and bay sides of the peninsula.

In winter and early spring you can stand on the ocean beach and not see another soul, a prospect I find very attractive. The only problem is that the wild and woolly conditions that keep the crowds away also make photography difficult. A photographer here has to contend with the difficulties of high winds and sea spray, not impossible I know but very annoying when combined with the low temperatures of winter.

For this reason I’ve found myself gravitating towards the calmer bayside beaches on my last couple of trips down that way.

Below – “34 Steps” which is available to purchase as a print here.
"Jim Worrall" "34 Steps" Portsea "Mornington Peninsula" beach "long exposure"

I’ve recently been trying to consciously simplify my images by attempting to exclude as many distracting elements as possible. Whilst shooting on the bayside beaches this has been fairly easy to achieve by using long exposures to reduce the detail in the water and sky. Another benefit of the long exposures is that birds and boats can move through the frame without even appearing in the finished exposure. I used a combination of an ND400 and an ND8 filter giving me about 12 stops of darkness to make the exposures up to 30 seconds long for these images.

Below – “The Danger of Diving”, Portsea beach, which is available to purchase as a print here.
"Jim Worrall" "The Danger of Diving" Portsea beach Australia "long exposure"

Portsea and Sorrento bayside beaches feature a wonderful collection of public and private jetties.
Below – “Outbound”, Sorrento beach, which is available to purchase as a print here.
Despite being technically over exposed I like the drama this high key image presents.
I like the way the sea and the sky are almost one. A personal favorite.
"jim Worrall" Sorrento beach australia mornington peninsula

Below – “Nature versus Nurture”, Portsea beach, which is available to purchase as a print here.
"Jim Worrall" portsea beach "Mornington Peninsula" Australia

Below – “Boomerang”, Portsea beach, which is available to purchase as a print here.
"Jim Worrall" Portsea beach "Mornington Peninsula" Australia "long exposure"

Below – “Civilization meets the Sea”, Portsea beach, is available to purchase as a print here.
"Jim Worrall" portsea beach "Mornington Peninsula" Australia "long exposure"

Below – “The Trappings of Wealth”, Sorrento beach, is available to purchase as a print here.
"Jim Worrall" sorrento beach "Morington Peninsula" Australia "long exposure"


Visiting the Silky Lady – Hopetoun Falls

The Hopetoun Falls is a popular tourist attraction located in the Otway Ranges in Victoria, Australia.
Pictured below – A View to the Falls – Just a short distance from the car park, visitors are treated to a tempting glimpse of the falls from above through a gap in the lush forest greenery.

Hopetoun Falls - Jim Worrall

A short picturesque walk down a path through the forest gives access to the base of the falls. Upon arrival at the base it’s very easy to imagine that you’d somehow been transported into a fairytale. It’s a dream location for photographers and indeed it’s difficult to take a bad shot here.

Below – The Silky Lady
The Silky Lady - Hopetoun Falls - Jim Worrall

Below – Peeking at the Silky Lady
Peeking at the Silky Lady - Hopetoun Falls - Jim Worrall

Below – In the Land of Fairytales
In the Land of Fairytales - Hopetoun Falls - Jim Worrall


The Beauty of Polly McQuinn’s Weir, Strathbogie.

The picturesque Polly McQuinn’s Weir is well sign posted and located a few kilometers south-west of Strathbogie, Victoria, Australia.
The weir features a spillway where water streams over a concrete wall and onto large exposed granite boulders.
The water then continues snaking around more boulders before flowing under a road bridge then traversing a gently sloped granite plateau before reaching a deep pool surrounded by native vegetation.
There are many opportunities here for the keen photographer.

Below – A long exposure of water cascading over the spillway wall and onto granite boulders beneath.
Polly McQuinn's Weir - Strathbogie - the spillway - Jim Worrall

Below – Looking back towards the spillway wall, water flows rapidly over and around granite boulders on it’s way downstream.
Polly McQuinn's Weir - Strathbogie - Jim Worrall

Below – In the days preceding my visit to the weir the area had received heavy rainfall.
I suspect this caused lot of the brown silt present in the water. This caused an interesting effect in the water with the deeper sections of the flow taking on a brownish tinge and the shallow sections appearing bluish during long exposure shots.
Polly McQuinn's Weir - Strathbogie - Jim Worrall

Below – The view from the bottom of the spillway looking downstream.
The silted water runs rapidly under the road bridge.
Polly McQuinn's Weir - the bridge - Strathbogie - Jim Worrall

Below – “Polly’s Overflow” – Looking upstream from the pool, the water traverses a gentle granite plateau then strikes some foreground boulders whipping the water into a frenzy before it finally enters the tranquility of the pool. This image is available to buy as a print at my Zazzle and RedBubble sites.
Polly McQuinn's Weir - Strathbogie - Jim Worrall - Polly's Overflow

Below – “In Search of Polly”
Apparently the weir was named after a young woman called Polly McQuinn who drowned here more than 100 years ago. Legend has it that the ghost of Polly can sometimes be heard calling for help from passer by.
Unfortunately I didn’t hear Polly on the day I was here.
In Search of Polly - Polly McQuinn's weir - Jim Worrall


West – along the coast

Following is a short series of seascape images taken on a recent trip along the Victorian/South Australian coastline.
Below – The Great Ocean Road – just south of Lorne, Victoria, Australia.
Notice the skid marks on the road at the bend, …this road is a popular tourist route attracting visitors from all over the world.
Some of these visitors unfortunately forget that we drive on the left side of the road in Australia. This causes all sorts of drama.
Great Ocean Road - Jim Worrall

Below – Along the Edge – A view of the incoming storm from the lookout at Glenaire, Victoria, Australia.
Glenaire seascape beach - Jim Worrall

Below – Bay of Martyrs – A long exposure image from down on the beach at the Bay of Martyrs, on the Great Ocean Road, Victoria, Australia. I was attracted by the unusual shapes that the ocean had managed to create with the foreground rocks here.
Bay of Martyrs beach seascape - Jim Worrall

Below – Storm at Port Campbell Pier – a long exposure image made during a stormy morning at Port Campbell pier. This pier really has quite a hard life being continually hammered by waves from the open ocean.
Port Campbell pier storm - Jim Worrall

Below – Johanna’s Morn – The morning sun starts to warm the sands of Johanna beach, Victoria, Australia.
Johanna's beach - Jim Worrall

Below – Her Deceptive Charm – A long exposure image from Cape Northumberland in South Australia.
The waves were really ripping into the rocks here, …….although the image looks deceptively calm due to the long exposure time.
Cape Northumberland in South Australia, photo, Jim Worrall

Below – At Ocean’s Edge – On the beach at Cape Northumberland, South Australia.
Cape Northumberland beach - Jim Worrall


Abandoned, dilapidated, derelict, decayed and once loved.

Following is a collection of farmhouse images taken on a trip through western Victoria and South Australia.
Initially I intended to take a lot of seascape images on this trip but the rain and sheer cliffs along the Great Ocean Road often conspired against me.
As the journey progressed I found myself becoming more interested in the landscape including the many vacant derelict buildings scattered along the way.

Below – “Shambles” – A deserted farmhouse at Byaduk North, Victoria, Australia.
deserted farmhouse Byaduk North - Jim Worrall

Below – “Out the Back” Byaduk North, Victoria, Australia.
abandoned farmhouse Byaduk North - Jim Worrall

Below – “The Love Shack” – Found along the road north of Port Fairy, Victoria, Australia.
There is also a colour version of the Love Shack here.
Love Shack abandoned house - Jim Worrall

Below – “Spiders n’ Snakes” – an abandoned house along the roadside in Puralka, Victoria, Australia.
abandoned house Puralka, Victoria, Australia - Jim Worrall

Below – “Cottage in the Vineyard” Padthaway Heritage Cottage (Front) near Bordertown, South Australia.
padthaway heritage cottage - Jim Worrall

Below – “Backdoor to the Vineyard” Padthaway Heritage Cottage (Rear) overlooking the vineyard, near Bordertown, South Australia.
padthaway heritage cottage - Jim Worrall


Strolling at Seaford beach with the LX3

This morning I dropped my car off for a service.
With the knowledge that I’d have a couple of hours to kill I took along the Panasonic LX3 to see what I could find. After a leisurely breakfast at the local cafe I strolled down to the beach at Seaford and gave the LX3 a bit of a run in “Dynamic B&W” mode.
This little camera never fails to amaze me. Of course the image quality is not as good as a DSLR but to me the quality is certainly quite acceptable. I just love the LX3 for portability when I don’t want to lug around the DSLR and lenses.

Below – K-Nine. (paw prints in the sand)
Note that the background is blurred because the shot was taken at f2.0.

Below – Observer. (bench at the end of the pier)
Seaford beach - pier - Jim Worrall

Below – Gull.
Gull-Seaford pier-Jim Worrall

Below – Last Man Over.
Seaford pier - Jim Worrall


The House of Pills – Bacchus Marsh

One of the tourist attractions at Bacchus Marsh is the old Chicory Kiln.
The kiln was constructed in 1885 and was used to roast chicory roots which were then ground and used as a coffee additive.
The front face of the kiln features a defaced advertisement for “Dr.Morse’s Indian Root Pills”, a product which was claimed by the manufacturer to contain ingredients which would “cleanse the blood”.
Cleansing the blood was apparently thought to be a good thing at the time as “impurity of the blood” was considered to be the cause of all disease. (Wiki)

Below – House of Pills
House of Pills - Chickory Kiln - Bacchus Marsh - Jim Worrall

Below – Perspective 81 the elevated door on the chicory kiln.
perspective-81 - chicory kiln - bacchus marsh - jim worrall


Down amongst the Mangroves, Westernport Bay.

You certainly have to admire the hardiness of the Mangrove tree.
It thrives in poor quality soil in tidal areas, and twice a day has it’s roots submerged in salty sea water. Under storm conditions the Mangrove is battered by both wind and waves yet it still manages to hold firmly.
The Mangrove tree is also an interesting subject from a photographer’s perspective. At high tide with the roots submerged it’s fairly easy to photographically isolate the subject from it’s surroundings by using a long exposure time to smooth any waves around it’s base and blur any clouds in the sky.

Below – TimeKeeper
Mangrove tree, Westernport Bay, Jim Worrall

Below – The Risen
Mangrove tree, Westernport Bay, Jim Worrall

Below – Approaching the Forest
Mangrove tree, Westernport Bay, Jim Worrall

At low tide the Mangrove tree has it’s roots exposed creating potentially a new subject of interest for the photographer. The long roots are often intertwined with each other giving the impression of writhing serpents (perhaps that’s just my imagination running wild).

Below – The Serpent Tree
Mangrove tree, Westernport Bay, Jim Worrall

Below – Wild n’ Woolly a long exposure with the roots exposed and the leaves thrashing around in the wind.
Mangrove tree, Westernport Bay, Jim Worrall

Below – On Borrowed Time the same tree as above but at high tide.
Mangrove tree, Westernport Bay, Jim Worrall


Trestle Bridge Encounters.

Whilst on a recent photography tour of eastern Victoria I encountered a couple of old wooden trestle railway bridges, …….and who can resist a good bridge!


The Stony Creek trestle bridge (pictured above) is located at Nowa Nowa in Victoria’s south east.
Apparently this is the largest standing bridge of it’s kind in Victoria, measuring 247 meters long and standing 20 meters high. The bridge was made in 1916 and remained in service for over 60 years until it was damaged by bushfire in 1980.
– – – – – – – – – – – – – – – – – – – – – – – – – – – –

The two images below were taken at the trestle bridge in Mt Lawson state park, in Victoria’s north east.
The high timber bridge which was built around 1915 spans Boggy Creek and formed part of the now disused Wodonga – Cudgewa railway line.

The view from above –

The view from below –


Exploring Cement Creek

It seems to me that Cement Creek was dealt an injustice when it was first named.
Despite it’s odd name, it really is quite an attractive location and a fine example of lush Victorian forest.
Cement Creek in located at the foot of Mount Donna Buang, near the intersection of Donna Buang Rd and Acheron Way.
On this excursion we gained access to the creek by walking along raised platforms which got us most of the way, then we jumped the handrail into the forest to get to the flowing water. At this location you need to be prepared to get muddy and wet, so it’s advisable to keep a change of clothes in the boot of your car.
The main hazard here is the slippery moss covered rocks. A minor hazard is the hungry leeches.


Incorporating HDR tonemapping techniques with long exposures

The following images were experiments using HDR tone mapping techniques combined with the effects of long exposure times.
Each image was constructed from at least 3 separate exposures using in-camera auto exposure bracketing. In my case, being a Canon shooter, I used 3 exposures of -2,0 and +2 simply for convenience. I believe Nikon shooters have a bit more flexibility in this area.

The images were all taken during daylight hours so it was necessary to use some heavy ND filtering in order to increase the exposure times and achieve a nice misty look to the water. In my case I used an ND400 and an ND8 filter stacked together to achieve this.

With the camera set to aperture priority mode I adjusted the aperture and filter combination (sometimes removing the ND8) to achieve an exposure of 8 seconds. When the shutter button is depressed the camera would then give me 3 exposures at 8 seconds, 2 seconds and 30 seconds (which is close enough to 0,-2 and +2). My particular camera doesn’t let me expose for longer than 30 seconds unless I go to bulb mode and use a remote timer, so out of laziness I tend to limit many of my exposures to 30 seconds. 🙂
The exposures were then combined and tonemapped using HDR software and tweaked in Photoshop to achieve the end result.

Despite all of this sounding a bit technical it’s really quite simple and I encourage you to try it. The results are often very rewarding.

BELOW – Jurassic Afternoon – Sunlight and waves break through a slit in the prehistoric Pinnacles rock formation on Phillip Island.

BELOW – The Mist of St.Pauls – A long exposure at St. Pauls beach, Sorrento, Victoria, Australia.

BELOW – Prehistoria – An image from The Pinnacles, at Phillip Island, Victoria, Australia.

BELOW – Swimming with Dinosaurs – Down amongst the prehistoric Pinnacles rock formations at Phillip Island, Victoria, Australia.


Daytime experiments with the ND400 filter.

The following long exposures were taken during daylight hours using an ND400 and ND8 filter stacked together on the front of my Sigma 10-20mm lens. The combination of these two filters attenuates so much light that peering into the viewfinder reveals an inky blackness even during bright daylight conditions.
It’s therefore necessary to compose the image BEFORE screwing the filters onto the lens. It’s also necessary to adjust the focus manually since the auto-focus system has no chance of working under such conditions.

*** (Update October 2012) The introduction of “live view” to many DSLR cameras means that is’s no longer necessary to compose and pre-focus with the dark filters off the lens. I shoot all the time now using live view to peer through the combined darkness of an ND400 and ND8. The filters now stay on the lens which means there is a lot less fiddling around. If you’re looking for a guide to show you how to use an ND400 have a look at my recent blog post here.***

I found that if I set the ISO as low as possible, and set the aperture very small (i.e. a high number), then it was possible to obtain a shutter duration of about 3 minutes. Such long exposures during daytime create some interesting images. I’m looking forward to experimenting more with the ND400.

Crevasse

Dancing with Scissors in My Mouth

Lapping at Tight Spaces

Down by Mother’s Trough

Planet Number Three


The trip to Point Lonsdale

The following are a series of images taken at Point Lonsdale at high tide.
Initially we went there in the middle of the day to try out some “black glass” ND400 filters. The idea was to shoot some daytime long exposures of the low tide water interacting with the exposed rock shelves. Unfortunately I felt a bit disappointed by the results, not because of the ND400 filter but because I had trouble finding satisfying compositions.

Upon returning to Point Lonsdale at sunset the tide was high and there was a bit more foreground interest and some colour in the sky. I managed to find these images a bit more satisfying.

Hats and Coats

Emergency Pants

Sunset at Point Lonsdale


Addicted to the Ocean

A snapshot of a fellow RedBubble photographer catching “last light” at Blairgowrie beach.


An Evening at Spray Point, Blairgowrie.

The following images were taken on an evening excursion to Spray Point / Montforts beach, Blairgowrie.
I’m never really sure where one beach ends and the other begins. 🙂

Tidal Trickle (below) was taken just prior to the sun dropping below the horizon giving some nice pinks in the sky.

Friends and Fatalities (below) is a long exposure shot taken just after the sun had dropped below the horizon.
The extended exposure time makes the moving water take on a misty appearance and blurs the clouds whilst the foreground rocks remain in focus.

The Unpredicted (below) is a long exposure shot showing water flowing off the rock plateaus after sunset.
Despite the deceptively calm appearance of the image this is really a potentially treacherous area with unexpectedly large waves occasionally sweeping across the plateaus.


Swanning around Westernport Bay

Here are some more images taken at various places around Westernport Bay, Victoria, Australia.
It’s always a lot of fun shooting around here at low tide. The beaches feature a fine grain sticky mud that slowly tries to draw you beneath the surface. With each step that you take you risk losing your footwear. 🙂

Taking long exposures is certainly interesting as the tripod gradually sinks into the silt.
This is just the sort of place where you should take emergency pants in case you unexpectedly sit down in the mud.

The following image was taken at Crib Point beach.

A Walk on the Edge

This image Barnacle Build was shot at Balnarring beach.

The following image The Threat of Punishment was taken at Grantville beach. All of the ground in this shot is mud.


A Black and White Journey to Grantville Beach

The following two images were taken at Grantville which is located on the eastern side of Westernport Bay, Victoria, Australia.
Low tide at the Grantville beach exposes a huge expanse of fine silty mud dotted with clusters of mangrove trees. On the day I was there the sky was filled with bright swirling clouds so I incorporated them into the photos as an added point of interest. Originally I envisioned capturing the scenes with a featureless blue sky but nature has a way of changing plans. 🙂

I’m been told by several people that the first photo below contains a face in the clouds, and ever since it’s been pointed out to me I see it every time I view the image.
There’s a word for this, ….and the word is pareidolia.

The Life of Brine

Battlers Three


Out on the rock shelves

The following three images were taken on an excursion to the rock shelves of Montforts beach, in Blairgowrie.
It’s an interesting place to be during the transition from high to low tide, as the water on the expansive rocky plateaus cascades over the sides on it’s return to the ocean.
Whilst here it’s important to be aware of which way the tide is going and also keep an eye out for occasional large rogue waves that sweep across the shelves. Prepare to get wetter than you expected here.

Montfort’s Cascades

Slide

Montforts Beach

The image below was taken at the neighboring Sorrento beach.
It’s a long exposure taken after sunset giving the oceans surface a deceptively calm and smooth appearance.

Blue Monolith


Light and Time at my Ocean Beach

A selection of images taken from two excursions to Sorrento beach.

Return to Primal is a long exposure taken after sunset. The true motion of the waves disguised by the slow shutter speed.

High Tide Sphinx is a slow(ish) exposure taken at high tide as the sun was setting behind the Sphinx rock formation at Sorrento beach, Australia.

Life in the Good Pond is a slow(ish) exposure taken at sunset. A polarizing filter was used to take the reflection off the surface of the rock pool allowing the scene below the surface to become visible. The blurring on the water was caused by the wind rippling the surface.

I Peek Around the Corner is another image from Sorrento where a polarizing filter was used to remove the unwanted reflection of the sky from the surface of the water enabling us to see the wonder below. In the distance on the horizon the Sphinx rock formation is visible.