A long exposure image of waves crashing over the rocks at Cairns Bay beach near Flinders on the Mornington Peninsula. To access Cairns Bay follow the Tea Tree Creek trail from Boneo Road down to the beach.
Tech stuff – 6 secs, f/14, ISO200, ND400 filter.
The image below is available to purchase as a print here.
An early morning sunrise shot from Flinders Yacht Club on the Mornington Peninsula. The location is easily accessible, just a short walk south from the Flinders pier carpark.
Technical stuff – 2.5 secs f/16 with ND8 filter
Some images from the beautiful and rugged ocean coastline at Flinders, Victoria, Australia. To find the entrance to Tea Tree Creek beach set up your GPS to locate the intersection of Keys Road and Boneo Road, Flinders. That will put you right near it.
Following are a series of long exposure images from the front and back beaches of Flinders on Victoria’s Mornington Peninsula.
Pictured above – Flinders. 137 seconds f/13 ISO100. Available as a quality print at my Zazzle or RedBubble sites.
A boat ramp at Coronet Bay creates leading lines to the setting sun.
The splendid view from Bushrangers Bay looking west just a few minutes before a drenching downpour.
Cape Schanck’s Pulpit Rock is on the horizon near the center of the image.
A high resolution print of this image is available for purchase at my Redbubble site.
A long exposure image of the surf pounding away at Pulpit Rock, Cape Schanck, Mornington Peninsula.
This place is always a wonderful reminder to me of the power of the ocean. Visiting the rock shelves here is truly exhilarating.
It was one of those days that I’ll remember for a long time.
Whilst shooting on a rocky plateau at Tea Tree Creek beach at Flinders I carelessly let my guard down.
An unusually high rogue wave struck the face of the plateau and poured down upon me.
My workhorse camera, the Canon 40D, had experienced some salt water splash in the past but nothing like this.
Today was the day he ingested way too much salt water. He coughed and spluttered, ….and died.
Luckily my wide angle lens seems to have survived the ordeal with only some minor salt water spots inside the focal range window. The glass inside seems to be clear,…PHEW!
These images were thankfully retrieved from the camera’s memory card despite it’s convulsions.
For those who might be interested I’ve purchased a 60D as a replacement camera.
The entrance to the track begins where Tea Tree Creek meets the Boneo Road.
The mowed walking path follows a gentle slope downhill alongside the creek gully and down towards the beach.
Upon arrival at the beach, visitors are welcomed by the presence of a rusty metal wheel nestled amongst the undergrowth.
East from here, the beach invites exploration for those willing to navigate across the black weather-worn rocks covering much of the beach.
The area also offers an impressive selection of rocky plateaus which are sometimes exposed and sometimes dramatically washed by the relentless surf.
When exploring along this stretch of beach it’s a good idea to avoid an embarrassing or even life threatening situation by knowing what the tide is doing. Keep an eye out for the occasional rogue wave determined to sweep you off the rocks.
There’s an amazing amount to see, explore, experience and photograph here.
I’ll definitely be returning soon. 😉
A selection of images from the beach at the end of the Blowhole Track at Flinders on the lovely Mornington Peninsula.
On the day I was there the wind was so horrendously strong I had to push down hard on the tripod to stop it from vibrating and blurring all of the long exposure shots.
Pictured below – Flinders Beach, the Blowhole Track.
A very picturesque coastline battered by the relentless surf.
18 months after releasing my first book I’m pleased to announce that I’ve finally finished my second book and published it through Blurb.
The 40 page collection explores Australian land and seascapes using long exposure photographic techniques to capture textures and patterns hidden in fluid motion.
The book is printed on Blurb’s premium lustre finish paper.
If you’d like to thumb through the book with a virtual preview of all it’s pages go here.
A couple of images from the Flinders foreshore showing what a huge difference the tide can make.
Both images feature the same structure albeit from slightly different angles.
Below – Flinders Hombres – high tide at the jetty remnants.
Below – liN – the same jetty remnants at low tide.
Images from a recent trip to Flinders with friends Christine Wilson and Caroline Gorka.
The objective for the afternoon was to capture some images of the old wooden pier before it’s replaced by the concrete monster that’s currently being constructed right next to it.
As usual I became distracted.
Below – “IiN” some ghostly remains from further along the beach.
Below – “Flinders Point” just around the corner from the calm harbor area there’s a lot more ocean wave activity.
There were waves crashing all over the place here but the long exposure makes it look deceptively calm.
Below – “Flinders Back-Beach” near the blow hole area. Stop giggling, that’s what it’s called !!
One of my favorite spots for photogenic wave action along the Mornington Peninsula is Flinders.
West of the township the rugged coastline features extensive cliffs with access to the rocky beaches in only a few places.
The deliciously dark rocks here provide a wonderful contrast to the bright white surf as waves from Bass Strait relentlessly pound the beach.
On this occasion I visited the beach during the early afternoon so conditions were extremely bright and contrasty.
I used an ND400 filter, sometimes in combination with an additional ND8 filter, to darken the scene and enable the use of slow shutter speeds to blur the moving water.
It’s always fun and games being close to the edge in places like this. Despite keeping one eye on the camera and the other eye on incoming waves I was caught by surprise on a couple of occasions during the afternoon and drenched by rogue waves exploding on the rocks.
This is really quite an extraordinary spot from a photographer’s perspective. Not so special for the grand seascape but more for the myriad of recesses where the surf dynamically interacts with the rocks.
A 2 second exposure at f22, ISO 100.