The Digital Photographer and the print.
I suspect I’m just like many other digital photographers. Over a period of time I’ve created several hundred images that I would self indulgently call my “keepers”.
These beauties sit on my laptop with two backup copies of each file stored on two external USB drives, ….one of those drives stored off-site in case of disaster.
I also place many of my images online and make them available for people who might be interested in buying a print or two.
Now despite being surrounded and obsessed with photographic imagery I very seldom print for myself. After all, the images were all there on the computer if I wanted to have a look at them. When I did get some printing done for myself it was often in the form of a cheesy calendar or poster.
With this in mind one of my new year’s resolutions was to do more printing for “ME” and present the prints in the most flattering way, ….and that way being matted and framed.
So today I went to the trouble of buying some frames and had some large prints made. One at a time I attached each print to the matt then carefully placed them in their frame. After securing the back I would turn each frame over to view the finished result.
OH, I couldn’t believe what I was seeing. It was like the images really came to life within the frames. I was experiencing something emotional from viewing these images that I hadn’t felt before, ….and I was completely sober!. That does it, it’s frames all the way from now on!
The Grantville Goal Posts
Captured below, a long exposure image of the incoming tide starting to submerge the concrete boat ramp at Grantville on Westernport Bay.
Due to the long shallow nature of the ramp the “goal posts” are used as a guide by boat owners to help prevent boat trailers from being driven over the sides or end of the ramp and into the mud/water.
Below – “Moving the Goal Posts”
Below – The boat ramp fully submerged with the Grantville jetty to the left and the sun shimmering on the foreground water.
Exploring Cape Schanck
Cape Schanck is located at the southern tip of Victoria’s Mornington Peninsula.
The beaches here offer a feast of opportunities for photographers. At the tip of the cape sits Pulpit Rock, a huge monolith standing proud amongst tidal rocky platforms.
At low tide the rocky platforms are exposed allowing fairly easy access to a large number of rock pools. These pools are home to a variety of sea creatures including small fish, crustaceans and octopuses. Depending on the time of year the pools can contain various forms of brightly coloured seaweed, providing wonderful hiding places for the rock pool residents. This is a great place to dunk your waterproof compact camera if you’re lucky enough to own one. Unfortunately I don’t own one (yet).
Below – Pebbles at the Pulpit
The beach leading out to Pulpit Rock is covered by rounded rocks that roll around and pound into each other with each wave creating an interesting sound that’s quite difficult to describe.
Below – Cape Schanck Lighthouse overlooking the west side of the cape.
Below – Cape Schanck East. The eastern side of the cape provides a rocky beach where there are lots of opportunities for the photographer who enjoys capturing waves crashing over and around rocks. I took quite a few long exposures here.
Below – The Schanck. The white surf and dark rocks contrast each other nicely and provide excellent material for making great black and white images.
Fluid in Motion – Flinders
One of my favorite spots for photogenic wave action along the Mornington Peninsula is Flinders.
West of the township the rugged coastline features extensive cliffs with access to the rocky beaches in only a few places.
The deliciously dark rocks here provide a wonderful contrast to the bright white surf as waves from Bass Strait relentlessly pound the beach.
On this occasion I visited the beach during the early afternoon so conditions were extremely bright and contrasty.
I used an ND400 filter, sometimes in combination with an additional ND8 filter, to darken the scene and enable the use of slow shutter speeds to blur the moving water.
It’s always fun and games being close to the edge in places like this. Despite keeping one eye on the camera and the other eye on incoming waves I was caught by surprise on a couple of occasions during the afternoon and drenched by rogue waves exploding on the rocks.
This is really quite an extraordinary spot from a photographer’s perspective. Not so special for the grand seascape but more for the myriad of recesses where the surf dynamically interacts with the rocks.
Construction at Powlett River
The construction of the controversial desalination plant near the mouth of the Powlett River has yielded a temporary point of interest for photographers.
A large platform has been placed offshore to assist with the construction of the required underwater pipeline.
Although not the most beautiful structure in the world, it acts as a nice point of interest for an otherwise potentially boring background.
I’m in no way a supporter of this project but I decided to take advantage of the platform while it’s there and took a series of images from the spot where the Powlett River meets the ocean.
The idea behind the images was to use the lines created by running water and rock edges to draw the viewer into the scene towards the platform in the background. The images were taken in bright mid afternoon light using strong ND filtering to enable the exposures to be long enough to blur the water.
Below – Platform One
Below – Platform Two
Below – Platform Three
Below – Mouth of the Powlett – Looking north-west across the mouth to the sand dunes, the waves crashing onto the rocks in the foreground just appear as mist due to the long exposure time.
Below – a couple of experimental panoramic shots of the river and dunes.
Exploring Ricketts Point, Beaumaris, Port Phillip Bay
Ricketts Point is a marine sanctuary located south east of Melbourne in Port Phillip Bay. When viewed from the land it’s an unremarkable looking series of sandstone rock platforms. Apparently under the waterline the platforms support a great diversity of flora and fauna.
When viewed from a land-based photographer’s perspective the area looks pretty ordinary during bright daylight hours.
Towards the evening the area becomes more attractive as it provides an unobstructed view of the setting sun and also provides some foreground interest in the form of waves swirling around rocks at the edge of the platforms.
This provides a good opportunity to catch some nice long exposure images.
Prior to the sun setting, the rocky platforms serve as a meeting place for several species of birds. Amongst them are a very tolerant group of pelicans. They don’t seem to mind people getting relatively close to them here which provides a nice opportunity for bird watchers and photographers.
Chopsticks at Corinella
An excursion to Corinella revealed “the chopsticks”, large angled posts planted in the muddy sea bed. Remnants of some past structure.
Pictured below – “Chopsticks 1” available as a print here.
Pictured below – “Trio” available as a print here.
Below – To give some sense of scale I planted myself in this shot, …and it certainly wasn’t easy holding myself still in this position for the long exposure. 🙂
Below – A view of the beach on the south-west facing side of Corinella.
At the end of Seaford pier.
This excursion to Seaford pier was a second visit. My goal was to capture an image that I’d had in my mind for some time but wasn’t able to quite capture on the first visit.
The subject of the image was a wonderful old wooden bench seat located at the end of the Seaford pier.
Pictured above – “The Silent Partner” is available as a print here.
I chose to use a long exposure here to smooth out the waves on the water and soften the clouds in the sky. This has the desirable effect of making the image less busy and draws the viewers attention to the wonderful grain and smooth worn texture of the wood.
Conveniently the lines of the bench also draw the viewers eyes into the image and towards a swirling cloud in the background providing a second point of interest.
Pictured below – “Observer” is available as a print here.
This is the image I took on the first visit. I like this image but it wasn’t the vision I initially had in mind. A local resident paid me the ultimate compliment by purchasing a framed print of this one.
To the tip of Cape Liptrap
Cape Liptrap is located on Victoria’s south east coastline overlooking Bass Strait.
On the high ground just back from the pointy end of the cape sits the Cape Liptrap lighthouse.
Below – “Warrior of the Dark” available as a print here.
Below – “Night’s Witness” is available as a print here.
If you enjoy real excitement, and don’t mind a bit of exercise, it’s worthwhile to jump the fence at the lighthouse and walk/slide your way out to the pointed cliff.
Peering over the edge of the cliff you’re greeted by an amazing rockscape being pounded by the violent waves of Bass Strait. The scene is captivating but I wouldn’t recommend it if you have a real fear of heights.
Below “Vertigo – Over the Edge” available as a print here.
Below – a friend perched on the edge of the cliff enjoying the scenery and of course taking some shots.
Exploring the Mordialloc pier.
A series of long exposure images exploring the Modialloc pier and it’s surroundings.
Below – Pier Group Pressure available as a print here.
Below – The Mordi Run available as a print here.
Below – “Troll” available as a print here.
Below – “Markers Three” available as a print here.
Grantville – the pie and pier photography tour.
My excursions are never entirely about the photography. Often they’re about the escape, ….often they’re about self exploration, …….every now and then they might even result in a nice photographic image. Well, nice to me anyhow. 🙂
On previous visits to Grantville I’ve tended to concentrate on trying to capture an inspiring image or two from the mangroves dotted along the coast here. The mangroves are a fairly easy target for photography purposes. At high tide it’s possible to visually isolate them between the water and the sky which works to simplify the image by excluding potentially distracting background elements. On calm days the water can also act as a fantastic mirror for capturing reflections, particularly when doing long exposures.
This particular visit to Grantville was all about capturing the pier though, so here it is.
In the black and white image above I’ve deliberately over exposed the image to blow out the sky and increase the contrast between the pier and the background. I personally like the contrasty result here, but I know this style of image is not everyone’s cup of tea.
Pictured below – “The First Days of Sun” which is available to purchase as a print here.
This image from the pier was created from 3 exposures using HDR tone mapping techniques to maintain details in both the bright sky and the dark shadows.
Pictured below – “The Promise of Warm Days” which is available to purchase as a print here.
Another 3 exposure HDR shot converted to black and white and processed with a bit of dodging and burning in Photoshop.
Now for some serious business. I’ve discovered that the cafe on the corner of the Bass Hwy and Grantville Glen Alvie Road in Grantville sells excellent homemade meat pies made with flaky puff pastry. The coffee is pretty good there too.
(Disclaimer – I have no connection with this cafe at all, I just enjoyed the pie so much I felt the need to share it with you.)
Slowly submerging in Tooradin
The coastal village of Tooradin is located on the shores of Westernport Bay, Victoria, Australia.
Since I live fairly close to Tooradin I often pick up a hot pie and a cappuccino from the wonderful bakery here and drive down to the jetty area for a relaxing break.
Tooradin has two jetties right next to each other. One jetty is of a floating pontoon design which rides on the surface of the water, rising and falling as the tides change. The other jetty is the usual kind consisting of a raised platform fixed to sturdy wooden pillars.
An interesting thing about the fixed platform jetty is that the platform gradually disappears below the surface of the water as the tide rises. This provides the photographer with some interesting possibilities.
Below – the rising tide starts to envelope the platform.
Standing on this jetty makes one feel like a captain going down with his ship.
Below – “Channel” which is available to purchase as a print here.
The platform is just a few centimeters below the surface.
After taking a few long exposures at the jetty mother nature decided to give me a nudge. The thick black storm clouds opened up and sent down a barrage of hail to chase me back to the car.
Below – Run from the Hail
The Jetties of Portsea and Sorrento
Portsea and Sorrento are coastal villages located at the tip of the Mornington Peninsula, south east of Melbourne. They both share a wild and woolly ocean beach to the south and the much calmer waters of Port Phillip Bay to the north. As a photography enthusiast I enjoy the contrast between the ocean and bay sides of the peninsula.
In winter and early spring you can stand on the ocean beach and not see another soul, a prospect I find very attractive. The only problem is that the wild and woolly conditions that keep the crowds away also make photography difficult. A photographer here has to contend with the difficulties of high winds and sea spray, not impossible I know but very annoying when combined with the low temperatures of winter.
For this reason I’ve found myself gravitating towards the calmer bayside beaches on my last couple of trips down that way.
Below – “34 Steps” which is available to purchase as a print here.
I’ve recently been trying to consciously simplify my images by attempting to exclude as many distracting elements as possible. Whilst shooting on the bayside beaches this has been fairly easy to achieve by using long exposures to reduce the detail in the water and sky. Another benefit of the long exposures is that birds and boats can move through the frame without even appearing in the finished exposure. I used a combination of an ND400 and an ND8 filter giving me about 12 stops of darkness to make the exposures up to 30 seconds long for these images.
Below – “The Danger of Diving”, Portsea beach, which is available to purchase as a print here.
Portsea and Sorrento bayside beaches feature a wonderful collection of public and private jetties.
Below – “Outbound”, Sorrento beach, which is available to purchase as a print here.
Despite being technically over exposed I like the drama this high key image presents.
I like the way the sea and the sky are almost one. A personal favorite.
Below – “Nature versus Nurture”, Portsea beach, which is available to purchase as a print here.
Below – “Boomerang”, Portsea beach, which is available to purchase as a print here.
Below – “Civilization meets the Sea”, Portsea beach, is available to purchase as a print here.
Below – “The Trappings of Wealth”, Sorrento beach, is available to purchase as a print here.
Visiting the Silky Lady – Hopetoun Falls
The Hopetoun Falls is a popular tourist attraction located in the Otway Ranges in Victoria, Australia.
Pictured below – A View to the Falls – Just a short distance from the car park, visitors are treated to a tempting glimpse of the falls from above through a gap in the lush forest greenery.
A short picturesque walk down a path through the forest gives access to the base of the falls. Upon arrival at the base it’s very easy to imagine that you’d somehow been transported into a fairytale. It’s a dream location for photographers and indeed it’s difficult to take a bad shot here.
Below – The Silky Lady
Below – Peeking at the Silky Lady
Below – In the Land of Fairytales
The Beauty of Polly McQuinn’s Weir, Strathbogie.
The picturesque Polly McQuinn’s Weir is well sign posted and located a few kilometers south-west of Strathbogie, Victoria, Australia.
The weir features a spillway where water streams over a concrete wall and onto large exposed granite boulders.
The water then continues snaking around more boulders before flowing under a road bridge then traversing a gently sloped granite plateau before reaching a deep pool surrounded by native vegetation.
There are many opportunities here for the keen photographer.
Below – A long exposure of water cascading over the spillway wall and onto granite boulders beneath.
Below – Looking back towards the spillway wall, water flows rapidly over and around granite boulders on it’s way downstream.
Below – In the days preceding my visit to the weir the area had received heavy rainfall.
I suspect this caused lot of the brown silt present in the water. This caused an interesting effect in the water with the deeper sections of the flow taking on a brownish tinge and the shallow sections appearing bluish during long exposure shots.
Below – The view from the bottom of the spillway looking downstream.
The silted water runs rapidly under the road bridge.
Below – “Polly’s Overflow” – Looking upstream from the pool, the water traverses a gentle granite plateau then strikes some foreground boulders whipping the water into a frenzy before it finally enters the tranquility of the pool. This image is available to buy as a print at my Zazzle and RedBubble sites.
Below – “In Search of Polly”
Apparently the weir was named after a young woman called Polly McQuinn who drowned here more than 100 years ago. Legend has it that the ghost of Polly can sometimes be heard calling for help from passer by.
Unfortunately I didn’t hear Polly on the day I was here.
West – along the coast
Following is a short series of seascape images taken on a recent trip along the Victorian/South Australian coastline.
Below – The Great Ocean Road – just south of Lorne, Victoria, Australia.
Notice the skid marks on the road at the bend, …this road is a popular tourist route attracting visitors from all over the world.
Some of these visitors unfortunately forget that we drive on the left side of the road in Australia. This causes all sorts of drama.
Below – Along the Edge – A view of the incoming storm from the lookout at Glenaire, Victoria, Australia.
Below – Bay of Martyrs – A long exposure image from down on the beach at the Bay of Martyrs, on the Great Ocean Road, Victoria, Australia. I was attracted by the unusual shapes that the ocean had managed to create with the foreground rocks here.
Below – Storm at Port Campbell Pier – a long exposure image made during a stormy morning at Port Campbell pier. This pier really has quite a hard life being continually hammered by waves from the open ocean.
Below – Johanna’s Morn – The morning sun starts to warm the sands of Johanna beach, Victoria, Australia.
Below – Her Deceptive Charm – A long exposure image from Cape Northumberland in South Australia.
The waves were really ripping into the rocks here, …….although the image looks deceptively calm due to the long exposure time.
Below – At Ocean’s Edge – On the beach at Cape Northumberland, South Australia.
Abandoned, dilapidated, derelict, decayed and once loved.
Following is a collection of farmhouse images taken on a trip through western Victoria and South Australia.
Initially I intended to take a lot of seascape images on this trip but the rain and sheer cliffs along the Great Ocean Road often conspired against me.
As the journey progressed I found myself becoming more interested in the landscape including the many vacant derelict buildings scattered along the way.
Below – “Shambles” – A deserted farmhouse at Byaduk North, Victoria, Australia.
Below – “Out the Back” Byaduk North, Victoria, Australia.
Below – “The Love Shack” – Found along the road north of Port Fairy, Victoria, Australia.
There is also a colour version of the Love Shack here.
Below – “Spiders n’ Snakes” – an abandoned house along the roadside in Puralka, Victoria, Australia.
Below – “Cottage in the Vineyard” Padthaway Heritage Cottage (Front) near Bordertown, South Australia.
Below – “Backdoor to the Vineyard” Padthaway Heritage Cottage (Rear) overlooking the vineyard, near Bordertown, South Australia.
Strolling at Seaford beach with the LX3
This morning I dropped my car off for a service.
With the knowledge that I’d have a couple of hours to kill I took along the Panasonic LX3 to see what I could find. After a leisurely breakfast at the local cafe I strolled down to the beach at Seaford and gave the LX3 a bit of a run in “Dynamic B&W” mode.
This little camera never fails to amaze me. Of course the image quality is not as good as a DSLR but to me the quality is certainly quite acceptable. I just love the LX3 for portability when I don’t want to lug around the DSLR and lenses.
Below – K-Nine. (paw prints in the sand)
Note that the background is blurred because the shot was taken at f2.0.
Below – Observer. (bench at the end of the pier)
Below – Gull.
Below – Last Man Over.
Down amongst the Mangroves, Westernport Bay.
You certainly have to admire the hardiness of the Mangrove tree.
It thrives in poor quality soil in tidal areas, and twice a day has it’s roots submerged in salty sea water. Under storm conditions the Mangrove is battered by both wind and waves yet it still manages to hold firmly.
The Mangrove tree is also an interesting subject from a photographer’s perspective. At high tide with the roots submerged it’s fairly easy to photographically isolate the subject from it’s surroundings by using a long exposure time to smooth any waves around it’s base and blur any clouds in the sky.
Below – TimeKeeper
Below – The Risen
Below – Approaching the Forest
At low tide the Mangrove tree has it’s roots exposed creating potentially a new subject of interest for the photographer. The long roots are often intertwined with each other giving the impression of writhing serpents (perhaps that’s just my imagination running wild).
Below – The Serpent Tree
Below – Wild n’ Woolly a long exposure with the roots exposed and the leaves thrashing around in the wind.
Below – On Borrowed Time the same tree as above but at high tide.
Daytime experiments with the ND400 filter.
The following long exposures were taken during daylight hours using an ND400 and ND8 filter stacked together on the front of my Sigma 10-20mm lens. The combination of these two filters attenuates so much light that peering into the viewfinder reveals an inky blackness even during bright daylight conditions.
It’s therefore necessary to compose the image BEFORE screwing the filters onto the lens. It’s also necessary to adjust the focus manually since the auto-focus system has no chance of working under such conditions.
*** (Update October 2012) The introduction of “live view” to many DSLR cameras means that is’s no longer necessary to compose and pre-focus with the dark filters off the lens. I shoot all the time now using live view to peer through the combined darkness of an ND400 and ND8. The filters now stay on the lens which means there is a lot less fiddling around. If you’re looking for a guide to show you how to use an ND400 have a look at my recent blog post here.***
I found that if I set the ISO as low as possible, and set the aperture very small (i.e. a high number), then it was possible to obtain a shutter duration of about 3 minutes. Such long exposures during daytime create some interesting images. I’m looking forward to experimenting more with the ND400.
An Evening at Spray Point, Blairgowrie.
The following images were taken on an evening excursion to Spray Point / Montforts beach, Blairgowrie.
I’m never really sure where one beach ends and the other begins. 🙂
Tidal Trickle (below) was taken just prior to the sun dropping below the horizon giving some nice pinks in the sky.
Friends and Fatalities (below) is a long exposure shot taken just after the sun had dropped below the horizon.
The extended exposure time makes the moving water take on a misty appearance and blurs the clouds whilst the foreground rocks remain in focus.
The Unpredicted (below) is a long exposure shot showing water flowing off the rock plateaus after sunset.
Despite the deceptively calm appearance of the image this is really a potentially treacherous area with unexpectedly large waves occasionally sweeping across the plateaus.
Swanning around Westernport Bay
Here are some more images taken at various places around Westernport Bay, Victoria, Australia.
It’s always a lot of fun shooting around here at low tide. The beaches feature a fine grain sticky mud that slowly tries to draw you beneath the surface. With each step that you take you risk losing your footwear. 🙂
Taking long exposures is certainly interesting as the tripod gradually sinks into the silt.
This is just the sort of place where you should take emergency pants in case you unexpectedly sit down in the mud.
The following image was taken at Crib Point beach.
This image Barnacle Build was shot at Balnarring beach.
The following image The Threat of Punishment was taken at Grantville beach. All of the ground in this shot is mud.
A Black and White Journey to Grantville Beach
The following two images were taken at Grantville which is located on the eastern side of Westernport Bay, Victoria, Australia.
Low tide at the Grantville beach exposes a huge expanse of fine silty mud dotted with clusters of mangrove trees. On the day I was there the sky was filled with bright swirling clouds so I incorporated them into the photos as an added point of interest. Originally I envisioned capturing the scenes with a featureless blue sky but nature has a way of changing plans. 🙂
I’m been told by several people that the first photo below contains a face in the clouds, and ever since it’s been pointed out to me I see it every time I view the image.
There’s a word for this, ….and the word is pareidolia.
Light and Time at my Ocean Beach
A selection of images taken from two excursions to Sorrento beach.
Return to Primal is a long exposure taken after sunset. The true motion of the waves disguised by the slow shutter speed.
High Tide Sphinx is a slow(ish) exposure taken at high tide as the sun was setting behind the Sphinx rock formation at Sorrento beach, Australia.
Life in the Good Pond is a slow(ish) exposure taken at sunset. A polarizing filter was used to take the reflection off the surface of the rock pool allowing the scene below the surface to become visible. The blurring on the water was caused by the wind rippling the surface.
I Peek Around the Corner is another image from Sorrento where a polarizing filter was used to remove the unwanted reflection of the sky from the surface of the water enabling us to see the wonder below. In the distance on the horizon the Sphinx rock formation is visible.
The Edge
Gum trees growing precariously close to a cliff edge in western Victoria, Australia.
I was attracted to this scene by the trees silhouetted against the bright cloudy sky and of course the dead limbs in the foreground.
Home Sweet Hell
Images from an abandoned house taken during an excursion to the Dandenong Ranges, Victoria, Australia.
The image above is available to purchase as a print here.
Through the Fingal Forest
These images were taken on a recent excursion to Fingal beach, near Cape Schanck, Victoria, Australia.
The long track from the carpark to the beach is lined with twisted and gnarled trees creating an interesting viewing experience.
Visitors to the beach also experience the joy of navigating the hundreds of “awkwardly spaced” steps along the path. It’s not so bad going down to the beach but the return uphill journey is certainly a good test of your general fitness. Of course the ideal solution is to take along a strong, sturdy friend who can carry you back up the hill.
The images below were all taken using the Lumix LX3 camera.
After traversing the Fingal forest I managed to take this image.
Sounds of the Undine
A black and white rendition of a recent shot of the lake at Bonnie Doon, Victoria, Australia.
New 2010 calendars available
Yes it’s that time of years again. I’ve put together three new calendars for 2010 and made them available through my Redbubble site.
The first 2010 calendar is called “Shades“. It contains a selection of monochrome and heavily desaturated images from my redbubble portfolio. You can view each page of the calendar in greater detail or purchase one here.
The second 2010 calendar is simply called “Green“. It’s a selection of my images from nature including landscapes, seascapes and foliage shots where the colour green is a predominant influence. You can view each page of the “Green” 2010 calendar in greater detail or purchase a copy of the calendar here.
The third 2010 calendar is titled “Water in Motion” and features images from my collection where the movement of water plays an important role in the composition and feel of each piece. A detailed view of each page of the calendar is available here.
Would you prefer a customized calendar? I can put together a customized calendar for you using your choice of images from my Redbubble portfolio. Simply choose 13 images, that’s one for the front cover and one for each month of the year, and email me with your selection to jim.worrall@gmail.com .
I’ll put the calendar together for you, making it available on Redbubble and send you a link to it. Easy !!
Remnants – a visit to Walhalla cemetery
Graves from the late 1800’s on the sloping grounds of Walhalla cemetery.
Remnants – Walhalla cemetery
Pictured below – The unusual grave of Elizabeth A. Holmes (aged 20 years) and Mary A. Holmes (aged 10 months) who passed away in the 1870’s in Walhalla, Victoria, Australia.
A reflection of tougher times.
Resting Place – Walhalla
Pictured below – Looking down the sloping grounds of the Walhalla cemetery towards the main road below.
On the slopes of Walhalla
Photography by Jim Worrall 