An Afternoon at Sorrento
A selection of images from the photographically rich area along Sorrento back beach.
Below – “Her Outstretched Arms”
The sun has dropped close to the horizon giving a warm hue to the sky and rocky plateaus. The vigorous surf is tamed by the camera’s long exposure time.
Below – “Sphinx”
In the foreground the violent surf swirls under and around a rocky platform whilst in the background the iconic Sorrento Sphinx rock formation stares out to sea.
Below – “The Call of White Water”
Low tide at St Paul’s beach Sorrento as the surf crashes over the rocky plateaus filling one of the many natural pools.
Below – Water continually cascades off the edge of the platforms as waves push across them.
Below – A memorial on the cliff tops at Jubilee Point, Sorrento.
A sobering reminder of how dangerous this area can be.
The Flinders Pier Excursion.
Images from a recent trip to Flinders with friends Christine Wilson and Caroline Gorka.
The objective for the afternoon was to capture some images of the old wooden pier before it’s replaced by the concrete monster that’s currently being constructed right next to it.
As usual I became distracted.
Below – “IiN” some ghostly remains from further along the beach.
Below – “Flinders Point” just around the corner from the calm harbor area there’s a lot more ocean wave activity.
There were waves crashing all over the place here but the long exposure makes it look deceptively calm.
Below – “Flinders Back-Beach” near the blow hole area. Stop giggling, that’s what it’s called !!
ND400 Long Exposures at Safety Beach (Bracketing and tonemapping long exposures)
Following is a series of bracketed and tone-mapped long exposure images from Safety Beach, Victoria, Australia.
All were shot in the late afternoon using ND400 and ND8 filters combined to achieve the desired long exposure times.
Below – “Safety Beach Jetty”
Here’s how I do my bracketed images – Many of my waterscapes are long exposure tonemapped images generated from 3 exposures at 0,-2 and +2 EV. In order to achieve these 3 exposures I set my camera to aperture priority mode, enable auto bracketing and set the ISO as low as it will go. I then tinker with the aperture value, iso value and either add or remove ND filters in order to force the camera to achieve a shutter speed of 8 seconds for the first exposure (0 EV). Now when the shutter button is activated the camera gives me 3 exposures at 8 seconds, 2 seconds and 30 seconds (which corresponds to approximately 0,-2 and +2 EV)
When these 3 exposures are blended together (tonemapped) in an HDR program the resulting image contains the misty silky effects from the 8 and 30 second exposures and also contains some details from the slower 2 second exposure. When shooting REALLY fast moving water I usually aim for a faster initial exposure time of say 4 seconds. The camera then gives me 3 bracketed exposures at 4 seconds, 1 second and 16 seconds (0,-2 and +2 EV)
The aim is to catch some detail in the fastest exposure but also benefit from the misty effect of the longer exposures.
UPDATE – Oct 2012 – If you’re looking for an introductory guide on how to use the ND400 have a look at my other blog post here.
Below – “Seep” a stormwater drain at Safety Beach.
Yes, a drain can look beautiful. 🙂
Below – “Jettison” another stormwater drain at Safety Beach.
The Window of Opportunity – Grantville Beach.
Amongst the photographic gems that Grantville beach makes available to photographers is a set of 3 rows of short pylons.
No doubt these pylons are the remains of an old jetty but they differentiate themselves from other such sites in a couple of interesting ways. Firstly, it’s unusual to see 3 rows of pylons like this. Most old jetties leave behind only two rows of pylons.
Secondly the pylons are extremely short here, with most of them extending from the muddy base by only a few short inches.
The short stature of these pylons provides photographers with an interesting challenge. At high tide the pylons are invisible as they’re completely submerged by water, and at low tide they’re an awful looking series of posts sitting in mud.
The challenge for the photographer is to arrive at the site during a narrow window of opportunity whilst the tidal transition ideally has all of the pylons surrounded by water around their bases and yet not enough water to make them shorten or disappear below the surface.
Below – “Runway to the Afterlife”
On my first visit to the site I was extremely lucky and caught the tide at just the right height. I wasn’t aware of how elusive these pylons could be until subsequent visits, hoping to catch the pylons in a different light, I haven’t been fortunate enough to arrive at the right time. 😦
Below – “Mortality” an image taken near the pylons on a different evening. The dark brooding sky sets the mood of the image. In the foreground lays a dead jellyfish, stranded by the outgoing tide.
Below – “Deep Creek Reflections“, also near the pylons Deep Creek enters the Westernport Bay.
Trolling around under bridges and piers
On excursions where I’m near a bridge or pier, my inner troll has a tendency to take control and drag me under.
Sometimes the results are quite pleasing. Strangely enough I often find the underside to be more photographically pleasing than the top side.
Below – “Gateway” the underside of the San Remo bridge.
Below – “San Remo Bridge” the gateway to Phillip Island, Victoria, Australia.
Below – “Dromana Downunder” the underside of Dromana pier. No trolls under here!
Contrasts – Views from Jam Jerrup
Contrasting views from the beach at Jam Jerrup, Victoria, Australia.
It’s interesting to see how different a location can appear under different light and tidal conditions. This is exactly the reason why I like to return to the same places many times.
Below – “Aspirations” is a minimalistic long exposure image taken at high tide.
Below – “Blunderbuss” is a wider view of the same area taken at low tide with some more drama taking place in the clouds.
Below – “Exploring the Meme” is the boat ramp and single post at Jam Jerrup.
A Photo Exploration of Grantville beach.
I visited Grantville the day after Victoria had been hammered by unusually high rainfall.
Apparently the extreme rainfall was a side effect of cyclone Yasi’s passage across Queensland and into central Australia.
With the worst of the rain over, the day provided some beautiful photographic conditions with the sun filtered through an interesting arrangement of constantly changing storm clouds.
I love the beach down this way. Each time I visit here I discover something new.
Before I discovered photography I would never have guessed that I would find storm water drains interesting. 🙂
Below – “Purge” a storm water drain running into Westernport Bay.
For those who are interested in the technical details, the drain images are constructed using HDR tone mapping techniques. The long exposures were achieved using a combination of ND400 and ND8 filters on the end of the lens to smooth the waves on the water.
Below – “Running from the Idols” – another drain dumping water into Westernport Bay.
Below – A long exposure self portrait, standing at the end of the Grantville jetty.
Below – “Grantville Jetty” – a view from the jetty looking out towards the boat ramp marker posts.
Below – “After the Rains” – a long exposure image from Grantville beach as rain clouds exit. An old boat trailer sits semi-submerged in the foreground.
A Photographic Trip to Tenby Point.
Tenby Point is a coastal village located on the shores of Westernport Bay, just a few kilometers east of Corinella, Victoria, Australia.
On this particular photography excursion conditions weren’t ideal. The sun was harsh and high in the sky, and there were no clouds around. Due to these harsh light conditions I chose to make a series of high key images whilst the tide was favorable.
Below – The Counsel of Many
It’s important to know what the tides are doing here from a photographer’s prespective.
I think it’s best here to avoid visiting at low tide unless you’d like images of sticks or trees sitting in mud.
The black and white images in this post were taken with both an ND400 and an ND8 filter attached to the end of the lens to achieve long exposure times in bright sunny conditions. The goal behind using such heavy filtering is to achieve long exposure times in order to blur as much detail as possible from the sky and water.
The result is a more minimalistic image.
Below – Sweet Survivor
Below – The Path to Yesterday
Eventually all good things come to those who wait. The afternoon dominated by harsh white light gave way to a pearler of a sunset when some clouds moved across the sky at just the right moment. I drove home from Tenby Point wearing a satisfied grin. 🙂
Below – Sunset at Tenby Point
Exploring Beachport, South Australia.
I visited the town of Beachport just prior to the summer “silly season”. This provided me the with the opportunity to explore the area without the usual crowds of holiday makers cluttering up the splendid beaches.
The town sits on the end of a small cape with one side facing towards the open ocean and the other side facing more towards the mainland providing a relatively safe harbour area and calmer beaches.
Below – Thar She Blows – a storm approaches Beachport from the ocean.
Below – Beachport Pier – located on the calmer east side of the cape, is apparently the second longest pier in Australia. You need a cut lunch and a sherpa to trek from one end of the pier to the other. 🙂
Below – The Pool of Siloam at Beachport contains water which is claimed to be seven times saltier than seawater which makes floating really easy. The pool is fed by underground springs.
Below – Back on the rougher ocean side Post Office Rock at Beachport provides some nice wave action.
I lost a pair of runners and socks here to an unexpected wave.
Art of the Orb – the beauty of nature.
One doesn’t usually associate the word “spider” with art. In my case I seem to be blessed by the presence of a very artsy Orb-weaver spider.
Each evening during summer the spider constructs an elaborate web between the house and a large tree in the backyard.
In an effort to capture the frantic web building activity I took my LX3 out into the backyard to see what I could catch.
The Orb-weaver was lit from some distance away by one of the house security lights.
I set the LX3 to an aperture of f/2.0 @ISO800 due to the dim conditions and caught the following beautiful movements as the spider hurriedly moved around.
For those who might be curious and want to try this I shot these images in aperture priority mode. The camera selected a corresponding shutter speed of 1.3 seconds to suit my particular lighting conditions. The camera was also in “Dynamic B&W” mode.
In the final two images there is a bit less movement by the spider and you can start to see the shape of the spider.
The Water is Back – Meningie
Following are a few images from Meningie, on the banks of Lake Albert in South Australia taken in December last year (2010).
I was told by the Bev at the Lake Albert Motel that the lake has only recently recovered from the drought. Apparently for some time there wasn’t water anywhere near the jetty pictured below.
Below – Traces – Meningie, South Australia, Lake Albert.
Below – Rise and Fall – Meningie, South Australia, Lake Albert.
I have no idea what those posts are doing out there in the water.
(Update – 31-01-11 Bev at the Lake Albert Motel has informed me that the posts in the water are there to provide a roost for the local pelicans. That makes sense.)
Below – Aspects of Abundance Meningie, South Australia, Lake Albert.
Pelican roosting posts.
Below – Meningie Some wonderful action going on in the clouds here.
Below – Unbreakable – The second most sturdy piece of outdoor furniture I’ve ever had the pleasure of sitting on.
The Digital Photographer and the print.
I suspect I’m just like many other digital photographers. Over a period of time I’ve created several hundred images that I would self indulgently call my “keepers”.
These beauties sit on my laptop with two backup copies of each file stored on two external USB drives, ….one of those drives stored off-site in case of disaster.
I also place many of my images online and make them available for people who might be interested in buying a print or two.
Now despite being surrounded and obsessed with photographic imagery I very seldom print for myself. After all, the images were all there on the computer if I wanted to have a look at them. When I did get some printing done for myself it was often in the form of a cheesy calendar or poster.
With this in mind one of my new year’s resolutions was to do more printing for “ME” and present the prints in the most flattering way, ….and that way being matted and framed.
So today I went to the trouble of buying some frames and had some large prints made. One at a time I attached each print to the matt then carefully placed them in their frame. After securing the back I would turn each frame over to view the finished result.
OH, I couldn’t believe what I was seeing. It was like the images really came to life within the frames. I was experiencing something emotional from viewing these images that I hadn’t felt before, ….and I was completely sober!. That does it, it’s frames all the way from now on!
The Grantville Goal Posts
Captured below, a long exposure image of the incoming tide starting to submerge the concrete boat ramp at Grantville on Westernport Bay.
Due to the long shallow nature of the ramp the “goal posts” are used as a guide by boat owners to help prevent boat trailers from being driven over the sides or end of the ramp and into the mud/water.
Below – “Moving the Goal Posts”
Below – The boat ramp fully submerged with the Grantville jetty to the left and the sun shimmering on the foreground water.
Exploring Cape Schanck
Cape Schanck is located at the southern tip of Victoria’s Mornington Peninsula.
The beaches here offer a feast of opportunities for photographers. At the tip of the cape sits Pulpit Rock, a huge monolith standing proud amongst tidal rocky platforms.
At low tide the rocky platforms are exposed allowing fairly easy access to a large number of rock pools. These pools are home to a variety of sea creatures including small fish, crustaceans and octopuses. Depending on the time of year the pools can contain various forms of brightly coloured seaweed, providing wonderful hiding places for the rock pool residents. This is a great place to dunk your waterproof compact camera if you’re lucky enough to own one. Unfortunately I don’t own one (yet).
Below – Pebbles at the Pulpit
The beach leading out to Pulpit Rock is covered by rounded rocks that roll around and pound into each other with each wave creating an interesting sound that’s quite difficult to describe.
Below – Cape Schanck Lighthouse overlooking the west side of the cape.
Below – Cape Schanck East. The eastern side of the cape provides a rocky beach where there are lots of opportunities for the photographer who enjoys capturing waves crashing over and around rocks. I took quite a few long exposures here.
Below – The Schanck. The white surf and dark rocks contrast each other nicely and provide excellent material for making great black and white images.
Fluid in Motion – Flinders
One of my favorite spots for photogenic wave action along the Mornington Peninsula is Flinders.
West of the township the rugged coastline features extensive cliffs with access to the rocky beaches in only a few places.
The deliciously dark rocks here provide a wonderful contrast to the bright white surf as waves from Bass Strait relentlessly pound the beach.
On this occasion I visited the beach during the early afternoon so conditions were extremely bright and contrasty.
I used an ND400 filter, sometimes in combination with an additional ND8 filter, to darken the scene and enable the use of slow shutter speeds to blur the moving water.
It’s always fun and games being close to the edge in places like this. Despite keeping one eye on the camera and the other eye on incoming waves I was caught by surprise on a couple of occasions during the afternoon and drenched by rogue waves exploding on the rocks.
This is really quite an extraordinary spot from a photographer’s perspective. Not so special for the grand seascape but more for the myriad of recesses where the surf dynamically interacts with the rocks.
Construction at Powlett River
The construction of the controversial desalination plant near the mouth of the Powlett River has yielded a temporary point of interest for photographers.
A large platform has been placed offshore to assist with the construction of the required underwater pipeline.
Although not the most beautiful structure in the world, it acts as a nice point of interest for an otherwise potentially boring background.
I’m in no way a supporter of this project but I decided to take advantage of the platform while it’s there and took a series of images from the spot where the Powlett River meets the ocean.
The idea behind the images was to use the lines created by running water and rock edges to draw the viewer into the scene towards the platform in the background. The images were taken in bright mid afternoon light using strong ND filtering to enable the exposures to be long enough to blur the water.
Below – Platform One
Below – Platform Two
Below – Platform Three
Below – Mouth of the Powlett – Looking north-west across the mouth to the sand dunes, the waves crashing onto the rocks in the foreground just appear as mist due to the long exposure time.
Below – a couple of experimental panoramic shots of the river and dunes.
Exploring Ricketts Point, Beaumaris, Port Phillip Bay
Ricketts Point is a marine sanctuary located south east of Melbourne in Port Phillip Bay. When viewed from the land it’s an unremarkable looking series of sandstone rock platforms. Apparently under the waterline the platforms support a great diversity of flora and fauna.
When viewed from a land-based photographer’s perspective the area looks pretty ordinary during bright daylight hours.
Towards the evening the area becomes more attractive as it provides an unobstructed view of the setting sun and also provides some foreground interest in the form of waves swirling around rocks at the edge of the platforms.
This provides a good opportunity to catch some nice long exposure images.
Prior to the sun setting, the rocky platforms serve as a meeting place for several species of birds. Amongst them are a very tolerant group of pelicans. They don’t seem to mind people getting relatively close to them here which provides a nice opportunity for bird watchers and photographers.
Chopsticks at Corinella
An excursion to Corinella revealed “the chopsticks”, large angled posts planted in the muddy sea bed. Remnants of some past structure.
Pictured below – “Chopsticks 1” available as a print here.
Pictured below – “Trio” available as a print here.
Below – To give some sense of scale I planted myself in this shot, …and it certainly wasn’t easy holding myself still in this position for the long exposure. 🙂
Below – A view of the beach on the south-west facing side of Corinella.
At the end of Seaford pier.
This excursion to Seaford pier was a second visit. My goal was to capture an image that I’d had in my mind for some time but wasn’t able to quite capture on the first visit.
The subject of the image was a wonderful old wooden bench seat located at the end of the Seaford pier.
Pictured above – “The Silent Partner” is available as a print here.
I chose to use a long exposure here to smooth out the waves on the water and soften the clouds in the sky. This has the desirable effect of making the image less busy and draws the viewers attention to the wonderful grain and smooth worn texture of the wood.
Conveniently the lines of the bench also draw the viewers eyes into the image and towards a swirling cloud in the background providing a second point of interest.
Pictured below – “Observer” is available as a print here.
This is the image I took on the first visit. I like this image but it wasn’t the vision I initially had in mind. A local resident paid me the ultimate compliment by purchasing a framed print of this one.
To the tip of Cape Liptrap
Cape Liptrap is located on Victoria’s south east coastline overlooking Bass Strait.
On the high ground just back from the pointy end of the cape sits the Cape Liptrap lighthouse.
Below – “Warrior of the Dark” available as a print here.
Below – “Night’s Witness” is available as a print here.
If you enjoy real excitement, and don’t mind a bit of exercise, it’s worthwhile to jump the fence at the lighthouse and walk/slide your way out to the pointed cliff.
Peering over the edge of the cliff you’re greeted by an amazing rockscape being pounded by the violent waves of Bass Strait. The scene is captivating but I wouldn’t recommend it if you have a real fear of heights.
Below “Vertigo – Over the Edge” available as a print here.
Below – a friend perched on the edge of the cliff enjoying the scenery and of course taking some shots.
Exploring the Mordialloc pier.
A series of long exposure images exploring the Modialloc pier and it’s surroundings.
Below – Pier Group Pressure available as a print here.
Below – The Mordi Run available as a print here.
Below – “Troll” available as a print here.
Below – “Markers Three” available as a print here.
Grantville – the pie and pier photography tour.
My excursions are never entirely about the photography. Often they’re about the escape, ….often they’re about self exploration, …….every now and then they might even result in a nice photographic image. Well, nice to me anyhow. 🙂
On previous visits to Grantville I’ve tended to concentrate on trying to capture an inspiring image or two from the mangroves dotted along the coast here. The mangroves are a fairly easy target for photography purposes. At high tide it’s possible to visually isolate them between the water and the sky which works to simplify the image by excluding potentially distracting background elements. On calm days the water can also act as a fantastic mirror for capturing reflections, particularly when doing long exposures.
This particular visit to Grantville was all about capturing the pier though, so here it is.
In the black and white image above I’ve deliberately over exposed the image to blow out the sky and increase the contrast between the pier and the background. I personally like the contrasty result here, but I know this style of image is not everyone’s cup of tea.
Pictured below – “The First Days of Sun” which is available to purchase as a print here.
This image from the pier was created from 3 exposures using HDR tone mapping techniques to maintain details in both the bright sky and the dark shadows.
Pictured below – “The Promise of Warm Days” which is available to purchase as a print here.
Another 3 exposure HDR shot converted to black and white and processed with a bit of dodging and burning in Photoshop.
Now for some serious business. I’ve discovered that the cafe on the corner of the Bass Hwy and Grantville Glen Alvie Road in Grantville sells excellent homemade meat pies made with flaky puff pastry. The coffee is pretty good there too.
(Disclaimer – I have no connection with this cafe at all, I just enjoyed the pie so much I felt the need to share it with you.)
Slowly submerging in Tooradin
The coastal village of Tooradin is located on the shores of Westernport Bay, Victoria, Australia.
Since I live fairly close to Tooradin I often pick up a hot pie and a cappuccino from the wonderful bakery here and drive down to the jetty area for a relaxing break.
Tooradin has two jetties right next to each other. One jetty is of a floating pontoon design which rides on the surface of the water, rising and falling as the tides change. The other jetty is the usual kind consisting of a raised platform fixed to sturdy wooden pillars.
An interesting thing about the fixed platform jetty is that the platform gradually disappears below the surface of the water as the tide rises. This provides the photographer with some interesting possibilities.
Below – the rising tide starts to envelope the platform.
Standing on this jetty makes one feel like a captain going down with his ship.
Below – “Channel” which is available to purchase as a print here.
The platform is just a few centimeters below the surface.
After taking a few long exposures at the jetty mother nature decided to give me a nudge. The thick black storm clouds opened up and sent down a barrage of hail to chase me back to the car.
Below – Run from the Hail
The Jetties of Portsea and Sorrento
Portsea and Sorrento are coastal villages located at the tip of the Mornington Peninsula, south east of Melbourne. They both share a wild and woolly ocean beach to the south and the much calmer waters of Port Phillip Bay to the north. As a photography enthusiast I enjoy the contrast between the ocean and bay sides of the peninsula.
In winter and early spring you can stand on the ocean beach and not see another soul, a prospect I find very attractive. The only problem is that the wild and woolly conditions that keep the crowds away also make photography difficult. A photographer here has to contend with the difficulties of high winds and sea spray, not impossible I know but very annoying when combined with the low temperatures of winter.
For this reason I’ve found myself gravitating towards the calmer bayside beaches on my last couple of trips down that way.
Below – “34 Steps” which is available to purchase as a print here.
I’ve recently been trying to consciously simplify my images by attempting to exclude as many distracting elements as possible. Whilst shooting on the bayside beaches this has been fairly easy to achieve by using long exposures to reduce the detail in the water and sky. Another benefit of the long exposures is that birds and boats can move through the frame without even appearing in the finished exposure. I used a combination of an ND400 and an ND8 filter giving me about 12 stops of darkness to make the exposures up to 30 seconds long for these images.
Below – “The Danger of Diving”, Portsea beach, which is available to purchase as a print here.
Portsea and Sorrento bayside beaches feature a wonderful collection of public and private jetties.
Below – “Outbound”, Sorrento beach, which is available to purchase as a print here.
Despite being technically over exposed I like the drama this high key image presents.
I like the way the sea and the sky are almost one. A personal favorite.
Below – “Nature versus Nurture”, Portsea beach, which is available to purchase as a print here.
Below – “Boomerang”, Portsea beach, which is available to purchase as a print here.
Below – “Civilization meets the Sea”, Portsea beach, is available to purchase as a print here.
Below – “The Trappings of Wealth”, Sorrento beach, is available to purchase as a print here.
Visiting the Silky Lady – Hopetoun Falls
The Hopetoun Falls is a popular tourist attraction located in the Otway Ranges in Victoria, Australia.
Pictured below – A View to the Falls – Just a short distance from the car park, visitors are treated to a tempting glimpse of the falls from above through a gap in the lush forest greenery.
A short picturesque walk down a path through the forest gives access to the base of the falls. Upon arrival at the base it’s very easy to imagine that you’d somehow been transported into a fairytale. It’s a dream location for photographers and indeed it’s difficult to take a bad shot here.
Below – The Silky Lady
Below – Peeking at the Silky Lady
Below – In the Land of Fairytales
The Beauty of Polly McQuinn’s Weir, Strathbogie.
The picturesque Polly McQuinn’s Weir is well sign posted and located a few kilometers south-west of Strathbogie, Victoria, Australia.
The weir features a spillway where water streams over a concrete wall and onto large exposed granite boulders.
The water then continues snaking around more boulders before flowing under a road bridge then traversing a gently sloped granite plateau before reaching a deep pool surrounded by native vegetation.
There are many opportunities here for the keen photographer.
Below – A long exposure of water cascading over the spillway wall and onto granite boulders beneath.
Below – Looking back towards the spillway wall, water flows rapidly over and around granite boulders on it’s way downstream.
Below – In the days preceding my visit to the weir the area had received heavy rainfall.
I suspect this caused lot of the brown silt present in the water. This caused an interesting effect in the water with the deeper sections of the flow taking on a brownish tinge and the shallow sections appearing bluish during long exposure shots.
Below – The view from the bottom of the spillway looking downstream.
The silted water runs rapidly under the road bridge.
Below – “Polly’s Overflow” – Looking upstream from the pool, the water traverses a gentle granite plateau then strikes some foreground boulders whipping the water into a frenzy before it finally enters the tranquility of the pool. This image is available to buy as a print at my Zazzle and RedBubble sites.
Below – “In Search of Polly”
Apparently the weir was named after a young woman called Polly McQuinn who drowned here more than 100 years ago. Legend has it that the ghost of Polly can sometimes be heard calling for help from passer by.
Unfortunately I didn’t hear Polly on the day I was here.
West – along the coast
Following is a short series of seascape images taken on a recent trip along the Victorian/South Australian coastline.
Below – The Great Ocean Road – just south of Lorne, Victoria, Australia.
Notice the skid marks on the road at the bend, …this road is a popular tourist route attracting visitors from all over the world.
Some of these visitors unfortunately forget that we drive on the left side of the road in Australia. This causes all sorts of drama.
Below – Along the Edge – A view of the incoming storm from the lookout at Glenaire, Victoria, Australia.
Below – Bay of Martyrs – A long exposure image from down on the beach at the Bay of Martyrs, on the Great Ocean Road, Victoria, Australia. I was attracted by the unusual shapes that the ocean had managed to create with the foreground rocks here.
Below – Storm at Port Campbell Pier – a long exposure image made during a stormy morning at Port Campbell pier. This pier really has quite a hard life being continually hammered by waves from the open ocean.
Below – Johanna’s Morn – The morning sun starts to warm the sands of Johanna beach, Victoria, Australia.
Below – Her Deceptive Charm – A long exposure image from Cape Northumberland in South Australia.
The waves were really ripping into the rocks here, …….although the image looks deceptively calm due to the long exposure time.
Below – At Ocean’s Edge – On the beach at Cape Northumberland, South Australia.
Abandoned, dilapidated, derelict, decayed and once loved.
Following is a collection of farmhouse images taken on a trip through western Victoria and South Australia.
Initially I intended to take a lot of seascape images on this trip but the rain and sheer cliffs along the Great Ocean Road often conspired against me.
As the journey progressed I found myself becoming more interested in the landscape including the many vacant derelict buildings scattered along the way.
Below – “Shambles” – A deserted farmhouse at Byaduk North, Victoria, Australia.
Below – “Out the Back” Byaduk North, Victoria, Australia.
Below – “The Love Shack” – Found along the road north of Port Fairy, Victoria, Australia.
There is also a colour version of the Love Shack here.
Below – “Spiders n’ Snakes” – an abandoned house along the roadside in Puralka, Victoria, Australia.
Below – “Cottage in the Vineyard” Padthaway Heritage Cottage (Front) near Bordertown, South Australia.
Below – “Backdoor to the Vineyard” Padthaway Heritage Cottage (Rear) overlooking the vineyard, near Bordertown, South Australia.
Strolling at Seaford beach with the LX3
This morning I dropped my car off for a service.
With the knowledge that I’d have a couple of hours to kill I took along the Panasonic LX3 to see what I could find. After a leisurely breakfast at the local cafe I strolled down to the beach at Seaford and gave the LX3 a bit of a run in “Dynamic B&W” mode.
This little camera never fails to amaze me. Of course the image quality is not as good as a DSLR but to me the quality is certainly quite acceptable. I just love the LX3 for portability when I don’t want to lug around the DSLR and lenses.
Below – K-Nine. (paw prints in the sand)
Note that the background is blurred because the shot was taken at f2.0.
Below – Observer. (bench at the end of the pier)
Below – Gull.
Below – Last Man Over.
Down amongst the Mangroves, Westernport Bay.
You certainly have to admire the hardiness of the Mangrove tree.
It thrives in poor quality soil in tidal areas, and twice a day has it’s roots submerged in salty sea water. Under storm conditions the Mangrove is battered by both wind and waves yet it still manages to hold firmly.
The Mangrove tree is also an interesting subject from a photographer’s perspective. At high tide with the roots submerged it’s fairly easy to photographically isolate the subject from it’s surroundings by using a long exposure time to smooth any waves around it’s base and blur any clouds in the sky.
Below – TimeKeeper
Below – The Risen
Below – Approaching the Forest
At low tide the Mangrove tree has it’s roots exposed creating potentially a new subject of interest for the photographer. The long roots are often intertwined with each other giving the impression of writhing serpents (perhaps that’s just my imagination running wild).
Below – The Serpent Tree
Below – Wild n’ Woolly a long exposure with the roots exposed and the leaves thrashing around in the wind.
Below – On Borrowed Time the same tree as above but at high tide.
Photography by Jim Worrall 