Exploring Ricketts Point, Beaumaris, Port Phillip Bay
Ricketts Point is a marine sanctuary located south east of Melbourne in Port Phillip Bay. When viewed from the land it’s an unremarkable looking series of sandstone rock platforms. Apparently under the waterline the platforms support a great diversity of flora and fauna.
When viewed from a land-based photographer’s perspective the area looks pretty ordinary during bright daylight hours.
Towards the evening the area becomes more attractive as it provides an unobstructed view of the setting sun and also provides some foreground interest in the form of waves swirling around rocks at the edge of the platforms.
This provides a good opportunity to catch some nice long exposure images.
Prior to the sun setting, the rocky platforms serve as a meeting place for several species of birds. Amongst them are a very tolerant group of pelicans. They don’t seem to mind people getting relatively close to them here which provides a nice opportunity for bird watchers and photographers.
To the tip of Cape Liptrap
Cape Liptrap is located on Victoria’s south east coastline overlooking Bass Strait.
On the high ground just back from the pointy end of the cape sits the Cape Liptrap lighthouse.
Below – “Warrior of the Dark” available as a print here.
Below – “Night’s Witness” is available as a print here.
If you enjoy real excitement, and don’t mind a bit of exercise, it’s worthwhile to jump the fence at the lighthouse and walk/slide your way out to the pointed cliff.
Peering over the edge of the cliff you’re greeted by an amazing rockscape being pounded by the violent waves of Bass Strait. The scene is captivating but I wouldn’t recommend it if you have a real fear of heights.
Below “Vertigo – Over the Edge” available as a print here.
Below – a friend perched on the edge of the cliff enjoying the scenery and of course taking some shots.
The Beauty of Polly McQuinn’s Weir, Strathbogie.
The picturesque Polly McQuinn’s Weir is well sign posted and located a few kilometers south-west of Strathbogie, Victoria, Australia.
The weir features a spillway where water streams over a concrete wall and onto large exposed granite boulders.
The water then continues snaking around more boulders before flowing under a road bridge then traversing a gently sloped granite plateau before reaching a deep pool surrounded by native vegetation.
There are many opportunities here for the keen photographer.
Below – A long exposure of water cascading over the spillway wall and onto granite boulders beneath.
Below – Looking back towards the spillway wall, water flows rapidly over and around granite boulders on it’s way downstream.
Below – In the days preceding my visit to the weir the area had received heavy rainfall.
I suspect this caused lot of the brown silt present in the water. This caused an interesting effect in the water with the deeper sections of the flow taking on a brownish tinge and the shallow sections appearing bluish during long exposure shots.
Below – The view from the bottom of the spillway looking downstream.
The silted water runs rapidly under the road bridge.
Below – “Polly’s Overflow” – Looking upstream from the pool, the water traverses a gentle granite plateau then strikes some foreground boulders whipping the water into a frenzy before it finally enters the tranquility of the pool. This image is available to buy as a print at my Zazzle and RedBubble sites.
Below – “In Search of Polly”
Apparently the weir was named after a young woman called Polly McQuinn who drowned here more than 100 years ago. Legend has it that the ghost of Polly can sometimes be heard calling for help from passer by.
Unfortunately I didn’t hear Polly on the day I was here.
West – along the coast
Following is a short series of seascape images taken on a recent trip along the Victorian/South Australian coastline.
Below – The Great Ocean Road – just south of Lorne, Victoria, Australia.
Notice the skid marks on the road at the bend, …this road is a popular tourist route attracting visitors from all over the world.
Some of these visitors unfortunately forget that we drive on the left side of the road in Australia. This causes all sorts of drama.
Below – Along the Edge – A view of the incoming storm from the lookout at Glenaire, Victoria, Australia.
Below – Bay of Martyrs – A long exposure image from down on the beach at the Bay of Martyrs, on the Great Ocean Road, Victoria, Australia. I was attracted by the unusual shapes that the ocean had managed to create with the foreground rocks here.
Below – Storm at Port Campbell Pier – a long exposure image made during a stormy morning at Port Campbell pier. This pier really has quite a hard life being continually hammered by waves from the open ocean.
Below – Johanna’s Morn – The morning sun starts to warm the sands of Johanna beach, Victoria, Australia.
Below – Her Deceptive Charm – A long exposure image from Cape Northumberland in South Australia.
The waves were really ripping into the rocks here, …….although the image looks deceptively calm due to the long exposure time.
Below – At Ocean’s Edge – On the beach at Cape Northumberland, South Australia.
Exploring Cement Creek
It seems to me that Cement Creek was dealt an injustice when it was first named.
Despite it’s odd name, it really is quite an attractive location and a fine example of lush Victorian forest.
Cement Creek in located at the foot of Mount Donna Buang, near the intersection of Donna Buang Rd and Acheron Way.
On this excursion we gained access to the creek by walking along raised platforms which got us most of the way, then we jumped the handrail into the forest to get to the flowing water. At this location you need to be prepared to get muddy and wet, so it’s advisable to keep a change of clothes in the boot of your car.
The main hazard here is the slippery moss covered rocks. A minor hazard is the hungry leeches.
Incorporating HDR tonemapping techniques with long exposures
The following images were experiments using HDR tone mapping techniques combined with the effects of long exposure times.
Each image was constructed from at least 3 separate exposures using in-camera auto exposure bracketing. In my case, being a Canon shooter, I used 3 exposures of -2,0 and +2 simply for convenience. I believe Nikon shooters have a bit more flexibility in this area.
The images were all taken during daylight hours so it was necessary to use some heavy ND filtering in order to increase the exposure times and achieve a nice misty look to the water. In my case I used an ND400 and an ND8 filter stacked together to achieve this.
With the camera set to aperture priority mode I adjusted the aperture and filter combination (sometimes removing the ND8) to achieve an exposure of 8 seconds. When the shutter button is depressed the camera would then give me 3 exposures at 8 seconds, 2 seconds and 30 seconds (which is close enough to 0,-2 and +2). My particular camera doesn’t let me expose for longer than 30 seconds unless I go to bulb mode and use a remote timer, so out of laziness I tend to limit many of my exposures to 30 seconds. 🙂
The exposures were then combined and tonemapped using HDR software and tweaked in Photoshop to achieve the end result.
Despite all of this sounding a bit technical it’s really quite simple and I encourage you to try it. The results are often very rewarding.
BELOW – Jurassic Afternoon – Sunlight and waves break through a slit in the prehistoric Pinnacles rock formation on Phillip Island.
BELOW – The Mist of St.Pauls – A long exposure at St. Pauls beach, Sorrento, Victoria, Australia.
BELOW – Prehistoria – An image from The Pinnacles, at Phillip Island, Victoria, Australia.
BELOW – Swimming with Dinosaurs – Down amongst the prehistoric Pinnacles rock formations at Phillip Island, Victoria, Australia.
Daytime experiments with the ND400 filter.
The following long exposures were taken during daylight hours using an ND400 and ND8 filter stacked together on the front of my Sigma 10-20mm lens. The combination of these two filters attenuates so much light that peering into the viewfinder reveals an inky blackness even during bright daylight conditions.
It’s therefore necessary to compose the image BEFORE screwing the filters onto the lens. It’s also necessary to adjust the focus manually since the auto-focus system has no chance of working under such conditions.
*** (Update October 2012) The introduction of “live view” to many DSLR cameras means that is’s no longer necessary to compose and pre-focus with the dark filters off the lens. I shoot all the time now using live view to peer through the combined darkness of an ND400 and ND8. The filters now stay on the lens which means there is a lot less fiddling around. If you’re looking for a guide to show you how to use an ND400 have a look at my recent blog post here.***
I found that if I set the ISO as low as possible, and set the aperture very small (i.e. a high number), then it was possible to obtain a shutter duration of about 3 minutes. Such long exposures during daytime create some interesting images. I’m looking forward to experimenting more with the ND400.
The trip to Point Lonsdale
The following are a series of images taken at Point Lonsdale at high tide.
Initially we went there in the middle of the day to try out some “black glass” ND400 filters. The idea was to shoot some daytime long exposures of the low tide water interacting with the exposed rock shelves. Unfortunately I felt a bit disappointed by the results, not because of the ND400 filter but because I had trouble finding satisfying compositions.
Upon returning to Point Lonsdale at sunset the tide was high and there was a bit more foreground interest and some colour in the sky. I managed to find these images a bit more satisfying.
Addicted to the Ocean
A snapshot of a fellow RedBubble photographer catching “last light” at Blairgowrie beach.
An Evening at Spray Point, Blairgowrie.
The following images were taken on an evening excursion to Spray Point / Montforts beach, Blairgowrie.
I’m never really sure where one beach ends and the other begins. 🙂
Tidal Trickle (below) was taken just prior to the sun dropping below the horizon giving some nice pinks in the sky.
Friends and Fatalities (below) is a long exposure shot taken just after the sun had dropped below the horizon.
The extended exposure time makes the moving water take on a misty appearance and blurs the clouds whilst the foreground rocks remain in focus.
The Unpredicted (below) is a long exposure shot showing water flowing off the rock plateaus after sunset.
Despite the deceptively calm appearance of the image this is really a potentially treacherous area with unexpectedly large waves occasionally sweeping across the plateaus.
Out on the rock shelves
The following three images were taken on an excursion to the rock shelves of Montforts beach, in Blairgowrie.
It’s an interesting place to be during the transition from high to low tide, as the water on the expansive rocky plateaus cascades over the sides on it’s return to the ocean.
Whilst here it’s important to be aware of which way the tide is going and also keep an eye out for occasional large rogue waves that sweep across the shelves. Prepare to get wetter than you expected here.
The image below was taken at the neighboring Sorrento beach.
It’s a long exposure taken after sunset giving the oceans surface a deceptively calm and smooth appearance.
Light and Time at my Ocean Beach
A selection of images taken from two excursions to Sorrento beach.
Return to Primal is a long exposure taken after sunset. The true motion of the waves disguised by the slow shutter speed.
High Tide Sphinx is a slow(ish) exposure taken at high tide as the sun was setting behind the Sphinx rock formation at Sorrento beach, Australia.
Life in the Good Pond is a slow(ish) exposure taken at sunset. A polarizing filter was used to take the reflection off the surface of the rock pool allowing the scene below the surface to become visible. The blurring on the water was caused by the wind rippling the surface.
I Peek Around the Corner is another image from Sorrento where a polarizing filter was used to remove the unwanted reflection of the sky from the surface of the water enabling us to see the wonder below. In the distance on the horizon the Sphinx rock formation is visible.
Around the Sorrento Sphinx
These images were taken while visiting the Sphinx rock formation at Sorrento beach.
It was quite a windy day causing a lot of ripples on the surface of the rock pools so I used a long exposure (several seconds) to smooth them out and make the ripples disappear.
December Hues – a Sorrento sunset
An image taken just after the sun had dropped below the horizon.
I had an ND8 and polarizing filter stacked on the front of the lens to to extend the shutter time and blur the waves giving a soft appearance to the water.
Dusk at Sorrento ocean beach – some long exposures
A series of long exposures taken at Sorrento beach, Australia.
A storm rolls over Port Phillip Bay
Following are 3 images taken yesterday at Ricketts Point, Beaumaris, as a storm rolled across the bay.
The apparent power and turbulence of the clouds in the sky is mirrored by the motion and ferocity of the water. It was an invigorating place to be.
Images from Koonya beach
These images were taken on a recent dusk excursion to Koonya beach on the Mornington Peninsula in Victoria, Australia.
Dusk is my favorite time of day for shooting, ……it’s certainly MUCH more user friendly than that other time of day, …….what do they call it, ….”dawn” or something like that. 🙂
The Path to Bushrangers Bay
Some more images taken on an excursion to Bushrangers Bay in Victoria, Australia.
Below – An image taken along the path to Bushrangers Bay.
Rolling hills, farmland and grazing cattle. Very relaxing stuff indeed.
Long exposures on the Mornington Peninsula
A series of long exposures taken at Sorrento and Blairgowrie beaches on the Mornington Peninsula, Australia.
These images were taken using the Sigma 10-20mm and Canon 17-85 mm lenses with ND8 and polarizing filters stacked on the front in order to slow the shutter speed.
Note – when stacking two filters on the 10-20mm lens the rim of the outermost filter becomes visible in the corners of the images necessitating a little cropping in post processing.
All of these images are available to purchase in various forms and sizes by clicking on their titles.
Blaze – taken at Sorrento beach.
The Glow of Last Light – taken at Sorrento beach.
The Pastel Kiss of Night – taken at Blairgowrie beach.
Welcome the Night – taken at Blairgowrie beach.
Koonya Isle – taken at Blairgowrie beach.
Through Angler’s Eyes – taken at Blairgowrie beach.
The Chant of the Pulpit
A seascape image from Cape Schanck in Victoria, Australia.
The image features the well known landmark Pulpit Rock as incoming waves rush across the surface of the surrounding rocky platforms.
The Chant of the Pulpit.
The Edge
Gum trees growing precariously close to a cliff edge in western Victoria, Australia.
I was attracted to this scene by the trees silhouetted against the bright cloudy sky and of course the dead limbs in the foreground.
A rockscape at Fingal beach.
After a short hike through the “Fingal forest”, see previous post, I arrived on the beach with the sun high in the sky.
Of course this isn’t the best time of day for photographing this kind of environment.
Landscape and seascape images are best captured around dawn or sunset when the scene is always less contrasty.
In the image below I was attracted by the shimmering, sparkling highlights on the surface of the water as the sun managed to poke its way through a break in the clouds.
Tempest over the Ocean – Blairgowrie
This is a reworked version of one of my first images posted to Redbubble. I’ve finally had time to tweak it the way I way I like it.
It was a taken on the beach at Blairgowrie as a storm was rolling in from the ocean. It was an amazing storm to see, …dark swirling clouds, lightning, halos formed by the sun shining through sheets of rain, ….marvelous stuff !
Tempest over the Ocean – Blairgowrie
Tempest over the Ocean is available as a high quality print at my Zazzle and RedBubble websites.
Roadside Falls
A small waterfall by the road somewhere south of Woods Point in hillbilly country, Victoria, Australia.
Roadside Falls
A morning at The Pinnacles, Phillip Island.
After a long pre-dawn walk along tracks through the tops of the coastal cliffs I arrived at The Pinnacles in time to see the sunrise. Access to the Pinnacles beach area here is via a steep (slippery when wet) track running down the face of the cliff area.
Unfortunately it turned out to be a dud sunrise so there wasn’t much colour in the sky but after getting down to the beach the view of the rock formations was wonderful. An interesting feature of this beach is the large round rocks covering the ground, great for photos but a challenge to navigate at times.
Paradise Gully
Looking upstream at Cement Creek near Warburton, Victoria, Australia.
A beautiful lush green environment well worth visiting for it’s photo opportunities.
This image is available to purchase as a high quality print here.
Twilight Surfer – Sorrento
A surfer takes advantage of the last light of day at Sorrento to paddle out and catch one more wave.
This image is available to purchase as a high quality print here.
Toorongo Falls – a view from the base
When no one was looking I climbed down off the official viewing platform and walked across a fallen tree trunk to capture this alternative view of the falls.
This image is available to purchase as a high quality print here.
Glide – the salt spray effect
This sunset image taken at Blairgowrie beach, Australia, turned out to be much softer than I expected but I like the final result. The softness of the image is due to a build up of ocean salt spray on the lens filter.
Sirens – magic of sea and sunset
A sunset taken at Blairgowrie beach, Australia.
I never get sick of visiting this ocean coastline along the Mornington Peninsula. The rocky landscape remains as a constant, however the continually changing sky and tide never fail to create a new captivating scene.
Generally the best time to visit this area are when the sunset corresponds with a low tide.
This image is available to purchase as a quality print here.
Photography by Jim Worrall 