Sorrento Back Beach
Shortly before xmas I took the opportunity to snap some images just before the summer “silly season” struck Sorrento.
I’m certain that one day the Sorrento/Portsea area of the Mornington Peninsula will become so heavy with tourists that it’ll snap off and fall into the sea.
Until that day I’ll continue to enjoy it as much as I can.
Pictured below – A couple of long exposure images from south-east of the main beach.
Pictured below – Bay of Islands – Sorrento
Located a short walk from the car park at the end of Diamond Bay Road.
The Dragon’s Head at Number Sixteen
The Dragon’s Head rock at the Number Sixteen beach, Rye, has been a photographic target that I’ve been looking forward to shooting for quite some time. The last time I visited here I’d arrived a bit too late in the tidal cycle to safely explore the rocky plateau that surrounds the Dragon’s Head.
Today’s visit was executed with military precision. I arrived on the beach precisely at low tide, waded out to the Dragon’s Head through ankle deep water and excitedly set up my tripod. The ocean waves were crashing and rolling across the rocky plateau then cascading beautifully over the edge very close to the Dragon’s Head.
Being a big fan of long exposure images you can imagine my disappointment as I fumbled around in my camera bag trying to find my ND filters to fit the wide angle lens. They were no where to be found. I had left the filters behind at home, … they were attached to another lens. It was one of those forehead slapping moments.
In the absence of any suitably sized ND filters I decided to make the unique shape of the rock fill the frame in the image above rather than featuring the flow of water.
The next image below was taken from quite a distance back from the Dragon’s head using a 70-200mm lens. Fortunately I had a suitably sized ND filter for this particular lens so it was possible to soften the look of the flowing water. Unfortunately using the long lens meant that I wasn’t able to get the composition that I was looking for.
Lesson learned – double check the gear before leaving home, never assume!
Cyclical Rendezvous – water motion at Rye beach
Pictured below, a long exposure image capturing the remnants of spent waves returning to the relentless ocean at Rye beach, Victoria, Australia.
Number Sixteen beach – reprocessed
A couple of images from the previous excursion to Number Sixteen beach, reprocessed in black and white, ……and with a little more drama added.
A long exposure from Rye back beach, Victoria, Australia.
Rye Back beach.
Swimming at the Sixteen – Rye Beach
After a recent photographic excursion to Koonya beach two weeks ago, I swore not to return my feet to the icy waters of the ocean until the warmer weather arrived.
Alas, the lure of the salty seas proved to be too much for me.
This week’s excursion was a low tide expedition to Number Sixteen beach at Rye on the Mornington Peninsula.
Unfortunately I arrived just a little bit too late in the tidal cycle to safely photograph my intended target. Rather than risk my life on the rocky shelves I decided to play around on the beach photographing easier targets, …..and only got wet up to the knees. 😉
A long exposure image from Rye beach.
This rock is one of the main features of the Number Sixteen beach. It dramatically changes it’s perceived shape depending on the direction from which you photograph it.
Water rushes back from the beach to join the pounding surf.
Water swirls around the foreground rocks as it enters the beach.
The landmark rock from a different perspective.
The Chill of Winter – Koonya Beach
Winter has suddenly struck with a vengeance in Melbourne and it’s surrounding areas.
The reduced temperature of the Bass Strait water combined with chilling winter winds now makes wide-angle shooting amongst the crashing surf fairly unbearable.
On my most recent trip to Koonya beach, the chill of the winter water running across my lower legs caused my teeth to ache, ….well almost. 😉
Wild winter conditions at Koonya beach, Blairgowrie.
Until the weather warms up a little I’ll be using the mid-range zoom in an effort to keep my feet drier and warmer.
No more long exposures standing in the surf, …..bbrrrrrrr !!
What a Difference the Tide Makes.
A couple of images from the Flinders foreshore showing what a huge difference the tide can make.
Both images feature the same structure albeit from slightly different angles.
Below – Flinders Hombres – high tide at the jetty remnants.
Below – liN – the same jetty remnants at low tide.
The Mentone Groyne
The Mentone groyne is located on Mentone beach just south of the Mentone pub. In the past this groyne has been incorrectly referred to as the “Old Mentone jetty” by myself and others. There’s off road parking close to the groyne but unfortunately the local council here tries to screw you over with a three dollar per hour parking fee.
All of the following images were taken using an ND400 filter to extend the exposure time and smooth out the waves on the water.
Below – Running West – Mentone Groyne
On the afternoon I visited the groyne it was almost high tide so these photos are only showing the very top bits of the structure above the water. Next time I visit I’ll be making sure I arrive during a low tide when the structure appears more like a series of small arches. I think that would be worth getting wet feet for. 🙂
Below – Charging into the Night.
Below – an overview of the groyne.
On the walk back to the carpark, some kind of territorial dispute erupted amongst these seagulls on a small rocky island just offshore. The image below doesn’t properly convey the ensuing ruckus but it was quite impressive to watch a little bit of nature’s drama playing out in front of me.
Below – Lord of the Gulls – ruckus on the rock.
The bollard, the boat, the buoy and the beginning of a rainbow.
Saturday’s excursion was down towards the pointy end of the Mornington Peninsula.
After a hearty lunch of fish ‘n chips on Dromana beach, it was off to Sorrento for a cappuccino and also check out the surf conditions on the ocean side.
On arrival at the back-beach the surf was violent and unruly, fueled by a ferocious onshore wind.
I’ve tried to capture long exposure images under these conditions a couple of times before and come away from the experience with disappointing results. A howling wind always manages to soften my long exposure images regardless of tripod technique.
With this in mind I resigned myself to exploring the calmer more docile side of Sorrento, the bay side. The view from the beach here was quite nice with small boats bobbing and wobbling around in the water. I took a few shots of the little boats but couldn’t find anything particularly satisfying so I moved my attention to the huge bollards near the pier.
Pictured below – Bollard.
Above – In this image the huge concrete bollard remains motionless whilst surrounded by the blurred movement of waves on the water. It’s nearby neighbors, the boat and the buoy wobble and rock in compliance with the waves. I used a high key effect to eliminate some distracting elements from the background. Both ND400 and ND8 neutral density filters were attached to the lens to achieve the desired long exposure under fairly bright conditions.
Pictured below – The Sorrento Bollards.
Above – The massive bollards are used to assist with holding the Queenscliff-Sorrento ferry in place at the pier during the exchange of passengers and cars.
After shooting the bollards, mother nature tried to grow me a rainbow. The left and right ends of the rainbow were developing nicely and gradually growing skywards then suddenly fizzled into nothingness.
Pictured below – the left end of the incomplete rainbow.
Pictured below – the right end of the incomplete rainbow.
HMVS Cerberus shipwreck at Half Moon Bay
After a delicious lunch at the Ricketts Point teahouse, Chris from Ambientcapture and I drove to Half Moon Bay where the wreck of the HMVS Cerberus rests semi-submerged some distance offshore.
The HMVS Cerberus was launched in 1868 and is the only remaining breastwork monitor class warship left in the world. You can find more details about the ship’s rich history at it’s Wikipedia page here, or it’s dedicated website here.
My idea from a photographic perspective was to capture the Cerberus using long exposure techniques to blur the motion of the water and clouds, and yet keep the wreck in sharp focus.
I had to wrestle with this one in post processing due to the extreme brightness of the background but I think I finally found a unique vision of the wreck.
Pictured below – HMVS Cerberus is available as a print in various sizes and formats here.
Pictured below – a long exposure view from the Half Moon Bay pier looking north along the coastline. The little blurry bit at the lower center of the image is a buoy bobbing around in the waves.
Pictured below – a more distant long exposure view of the HMVS Cerberus.
Pictured below – the structure behind the Cerberus wreck.
I have no idea what it is, but it’s very popular with the birds.
Plateau – Sorrento back beach
Below – Plateau – A long exposure image from the Sorrento back beach.
An intriguing place to visit at low tide.
The Sleeping Sphinx – Sorrento
An image from the Sphinx rock formation after an enjoyable day of playing in the surf.
The Vagabond Tide – ND400 long exposure
Following is a series of images taken at the Sorrento back beach, Victoria, Australia, using an ND400 filter during bright afternoon light conditions.
Pictured below – Dorsal.
Below – The Vagabond Tide.
Below – The Rinse Cycle.
Exploring the Point Nepean immigration quarantine station
Pictured below, the very industrial looking fumigation chambers in the Point Nepean quarantine station were once used to disinfect the belongings of recently arrived immigrants.
Pictured below, more images from around the historic buildings at the quarantine station.
Parks Victoria has a nice PDF explaining a little about the attractions here.
Underground at Point Nepean
Point Nepean is located at the entrance to Port Phillip Bay and contains old military fortifications dating back to the 1880s.
Amongst the many features at Point Nepean are the old gun emplacements which are serviced by a series of interesting tunnels and purpose built rooms buried into the hill.
The underground atmosphere is enhanced by audio loops continuously playing the eerie sounds of a military yesteryear.
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An Afternoon at Sorrento
A selection of images from the photographically rich area along Sorrento back beach.
Below – “Her Outstretched Arms”
The sun has dropped close to the horizon giving a warm hue to the sky and rocky plateaus. The vigorous surf is tamed by the camera’s long exposure time.
Below – “Sphinx”
In the foreground the violent surf swirls under and around a rocky platform whilst in the background the iconic Sorrento Sphinx rock formation stares out to sea.
Below – “The Call of White Water”
Low tide at St Paul’s beach Sorrento as the surf crashes over the rocky plateaus filling one of the many natural pools.
Below – Water continually cascades off the edge of the platforms as waves push across them.
Below – A memorial on the cliff tops at Jubilee Point, Sorrento.
A sobering reminder of how dangerous this area can be.
The Flinders Pier Excursion.
Images from a recent trip to Flinders with friends Christine Wilson and Caroline Gorka.
The objective for the afternoon was to capture some images of the old wooden pier before it’s replaced by the concrete monster that’s currently being constructed right next to it.
As usual I became distracted.
Below – “IiN” some ghostly remains from further along the beach.
Below – “Flinders Point” just around the corner from the calm harbor area there’s a lot more ocean wave activity.
There were waves crashing all over the place here but the long exposure makes it look deceptively calm.
Below – “Flinders Back-Beach” near the blow hole area. Stop giggling, that’s what it’s called !!
ND400 Long Exposures at Safety Beach (Bracketing and tonemapping long exposures)
Following is a series of bracketed and tone-mapped long exposure images from Safety Beach, Victoria, Australia.
All were shot in the late afternoon using ND400 and ND8 filters combined to achieve the desired long exposure times.
Below – “Safety Beach Jetty”
Here’s how I do my bracketed images – Many of my waterscapes are long exposure tonemapped images generated from 3 exposures at 0,-2 and +2 EV. In order to achieve these 3 exposures I set my camera to aperture priority mode, enable auto bracketing and set the ISO as low as it will go. I then tinker with the aperture value, iso value and either add or remove ND filters in order to force the camera to achieve a shutter speed of 8 seconds for the first exposure (0 EV). Now when the shutter button is activated the camera gives me 3 exposures at 8 seconds, 2 seconds and 30 seconds (which corresponds to approximately 0,-2 and +2 EV)
When these 3 exposures are blended together (tonemapped) in an HDR program the resulting image contains the misty silky effects from the 8 and 30 second exposures and also contains some details from the slower 2 second exposure. When shooting REALLY fast moving water I usually aim for a faster initial exposure time of say 4 seconds. The camera then gives me 3 bracketed exposures at 4 seconds, 1 second and 16 seconds (0,-2 and +2 EV)
The aim is to catch some detail in the fastest exposure but also benefit from the misty effect of the longer exposures.
UPDATE – Oct 2012 – If you’re looking for an introductory guide on how to use the ND400 have a look at my other blog post here.
Below – “Seep” a stormwater drain at Safety Beach.
Yes, a drain can look beautiful. 🙂
Below – “Jettison” another stormwater drain at Safety Beach.
Like colourful candy – Bathing Boxes, Safety Beach
Here’s a selection of colourful bathing boxes at Safety Beach, a bayside suburb on Port Phillip Bay, Victoria. The bathing boxes are privately owned beach sheds generally owned by Melbourne’s more wealthy people.
If you visit the windows of local real estate agents you can find some of these bathing boxes for sale at ridiculously high prices.
Lolly Boxes 1 – Safety Beach, Port Phillip Bay, Victoria, Australia.
Lolly Boxes 2 – Safety Beach, Port Phillip Bay, Victoria, Australia.
Lolly Boxes 3 – Safety Beach, Port Phillip Bay, Victoria, Australia.
Exploring Cape Schanck
Cape Schanck is located at the southern tip of Victoria’s Mornington Peninsula.
The beaches here offer a feast of opportunities for photographers. At the tip of the cape sits Pulpit Rock, a huge monolith standing proud amongst tidal rocky platforms.
At low tide the rocky platforms are exposed allowing fairly easy access to a large number of rock pools. These pools are home to a variety of sea creatures including small fish, crustaceans and octopuses. Depending on the time of year the pools can contain various forms of brightly coloured seaweed, providing wonderful hiding places for the rock pool residents. This is a great place to dunk your waterproof compact camera if you’re lucky enough to own one. Unfortunately I don’t own one (yet).
Below – Pebbles at the Pulpit
The beach leading out to Pulpit Rock is covered by rounded rocks that roll around and pound into each other with each wave creating an interesting sound that’s quite difficult to describe.
Below – Cape Schanck Lighthouse overlooking the west side of the cape.
Below – Cape Schanck East. The eastern side of the cape provides a rocky beach where there are lots of opportunities for the photographer who enjoys capturing waves crashing over and around rocks. I took quite a few long exposures here.
Below – The Schanck. The white surf and dark rocks contrast each other nicely and provide excellent material for making great black and white images.
Fluid in Motion – Flinders
One of my favorite spots for photogenic wave action along the Mornington Peninsula is Flinders.
West of the township the rugged coastline features extensive cliffs with access to the rocky beaches in only a few places.
The deliciously dark rocks here provide a wonderful contrast to the bright white surf as waves from Bass Strait relentlessly pound the beach.
On this occasion I visited the beach during the early afternoon so conditions were extremely bright and contrasty.
I used an ND400 filter, sometimes in combination with an additional ND8 filter, to darken the scene and enable the use of slow shutter speeds to blur the moving water.
It’s always fun and games being close to the edge in places like this. Despite keeping one eye on the camera and the other eye on incoming waves I was caught by surprise on a couple of occasions during the afternoon and drenched by rogue waves exploding on the rocks.
This is really quite an extraordinary spot from a photographer’s perspective. Not so special for the grand seascape but more for the myriad of recesses where the surf dynamically interacts with the rocks.
Exploring Ricketts Point, Beaumaris, Port Phillip Bay
Ricketts Point is a marine sanctuary located south east of Melbourne in Port Phillip Bay. When viewed from the land it’s an unremarkable looking series of sandstone rock platforms. Apparently under the waterline the platforms support a great diversity of flora and fauna.
When viewed from a land-based photographer’s perspective the area looks pretty ordinary during bright daylight hours.
Towards the evening the area becomes more attractive as it provides an unobstructed view of the setting sun and also provides some foreground interest in the form of waves swirling around rocks at the edge of the platforms.
This provides a good opportunity to catch some nice long exposure images.
Prior to the sun setting, the rocky platforms serve as a meeting place for several species of birds. Amongst them are a very tolerant group of pelicans. They don’t seem to mind people getting relatively close to them here which provides a nice opportunity for bird watchers and photographers.
At the end of Seaford pier.
This excursion to Seaford pier was a second visit. My goal was to capture an image that I’d had in my mind for some time but wasn’t able to quite capture on the first visit.
The subject of the image was a wonderful old wooden bench seat located at the end of the Seaford pier.
Pictured above – “The Silent Partner” is available as a print here.
I chose to use a long exposure here to smooth out the waves on the water and soften the clouds in the sky. This has the desirable effect of making the image less busy and draws the viewers attention to the wonderful grain and smooth worn texture of the wood.
Conveniently the lines of the bench also draw the viewers eyes into the image and towards a swirling cloud in the background providing a second point of interest.
Pictured below – “Observer” is available as a print here.
This is the image I took on the first visit. I like this image but it wasn’t the vision I initially had in mind. A local resident paid me the ultimate compliment by purchasing a framed print of this one.
Exploring the Mordialloc pier.
A series of long exposure images exploring the Modialloc pier and it’s surroundings.
Below – Pier Group Pressure available as a print here.
Below – The Mordi Run available as a print here.
Below – “Troll” available as a print here.
Below – “Markers Three” available as a print here.
The Jetties of Portsea and Sorrento
Portsea and Sorrento are coastal villages located at the tip of the Mornington Peninsula, south east of Melbourne. They both share a wild and woolly ocean beach to the south and the much calmer waters of Port Phillip Bay to the north. As a photography enthusiast I enjoy the contrast between the ocean and bay sides of the peninsula.
In winter and early spring you can stand on the ocean beach and not see another soul, a prospect I find very attractive. The only problem is that the wild and woolly conditions that keep the crowds away also make photography difficult. A photographer here has to contend with the difficulties of high winds and sea spray, not impossible I know but very annoying when combined with the low temperatures of winter.
For this reason I’ve found myself gravitating towards the calmer bayside beaches on my last couple of trips down that way.
Below – “34 Steps” which is available to purchase as a print here.
I’ve recently been trying to consciously simplify my images by attempting to exclude as many distracting elements as possible. Whilst shooting on the bayside beaches this has been fairly easy to achieve by using long exposures to reduce the detail in the water and sky. Another benefit of the long exposures is that birds and boats can move through the frame without even appearing in the finished exposure. I used a combination of an ND400 and an ND8 filter giving me about 12 stops of darkness to make the exposures up to 30 seconds long for these images.
Below – “The Danger of Diving”, Portsea beach, which is available to purchase as a print here.
Portsea and Sorrento bayside beaches feature a wonderful collection of public and private jetties.
Below – “Outbound”, Sorrento beach, which is available to purchase as a print here.
Despite being technically over exposed I like the drama this high key image presents.
I like the way the sea and the sky are almost one. A personal favorite.
Below – “Nature versus Nurture”, Portsea beach, which is available to purchase as a print here.
Below – “Boomerang”, Portsea beach, which is available to purchase as a print here.
Below – “Civilization meets the Sea”, Portsea beach, is available to purchase as a print here.
Below – “The Trappings of Wealth”, Sorrento beach, is available to purchase as a print here.
Incorporating HDR tonemapping techniques with long exposures
The following images were experiments using HDR tone mapping techniques combined with the effects of long exposure times.
Each image was constructed from at least 3 separate exposures using in-camera auto exposure bracketing. In my case, being a Canon shooter, I used 3 exposures of -2,0 and +2 simply for convenience. I believe Nikon shooters have a bit more flexibility in this area.
The images were all taken during daylight hours so it was necessary to use some heavy ND filtering in order to increase the exposure times and achieve a nice misty look to the water. In my case I used an ND400 and an ND8 filter stacked together to achieve this.
With the camera set to aperture priority mode I adjusted the aperture and filter combination (sometimes removing the ND8) to achieve an exposure of 8 seconds. When the shutter button is depressed the camera would then give me 3 exposures at 8 seconds, 2 seconds and 30 seconds (which is close enough to 0,-2 and +2). My particular camera doesn’t let me expose for longer than 30 seconds unless I go to bulb mode and use a remote timer, so out of laziness I tend to limit many of my exposures to 30 seconds. 🙂
The exposures were then combined and tonemapped using HDR software and tweaked in Photoshop to achieve the end result.
Despite all of this sounding a bit technical it’s really quite simple and I encourage you to try it. The results are often very rewarding.
BELOW – Jurassic Afternoon – Sunlight and waves break through a slit in the prehistoric Pinnacles rock formation on Phillip Island.
BELOW – The Mist of St.Pauls – A long exposure at St. Pauls beach, Sorrento, Victoria, Australia.
BELOW – Prehistoria – An image from The Pinnacles, at Phillip Island, Victoria, Australia.
BELOW – Swimming with Dinosaurs – Down amongst the prehistoric Pinnacles rock formations at Phillip Island, Victoria, Australia.
Daytime experiments with the ND400 filter.
The following long exposures were taken during daylight hours using an ND400 and ND8 filter stacked together on the front of my Sigma 10-20mm lens. The combination of these two filters attenuates so much light that peering into the viewfinder reveals an inky blackness even during bright daylight conditions.
It’s therefore necessary to compose the image BEFORE screwing the filters onto the lens. It’s also necessary to adjust the focus manually since the auto-focus system has no chance of working under such conditions.
*** (Update October 2012) The introduction of “live view” to many DSLR cameras means that is’s no longer necessary to compose and pre-focus with the dark filters off the lens. I shoot all the time now using live view to peer through the combined darkness of an ND400 and ND8. The filters now stay on the lens which means there is a lot less fiddling around. If you’re looking for a guide to show you how to use an ND400 have a look at my recent blog post here.***
I found that if I set the ISO as low as possible, and set the aperture very small (i.e. a high number), then it was possible to obtain a shutter duration of about 3 minutes. Such long exposures during daytime create some interesting images. I’m looking forward to experimenting more with the ND400.
Addicted to the Ocean
A snapshot of a fellow RedBubble photographer catching “last light” at Blairgowrie beach.
An Evening at Spray Point, Blairgowrie.
The following images were taken on an evening excursion to Spray Point / Montforts beach, Blairgowrie.
I’m never really sure where one beach ends and the other begins. 🙂
Tidal Trickle (below) was taken just prior to the sun dropping below the horizon giving some nice pinks in the sky.
Friends and Fatalities (below) is a long exposure shot taken just after the sun had dropped below the horizon.
The extended exposure time makes the moving water take on a misty appearance and blurs the clouds whilst the foreground rocks remain in focus.
The Unpredicted (below) is a long exposure shot showing water flowing off the rock plateaus after sunset.
Despite the deceptively calm appearance of the image this is really a potentially treacherous area with unexpectedly large waves occasionally sweeping across the plateaus.
Swanning around Westernport Bay
Here are some more images taken at various places around Westernport Bay, Victoria, Australia.
It’s always a lot of fun shooting around here at low tide. The beaches feature a fine grain sticky mud that slowly tries to draw you beneath the surface. With each step that you take you risk losing your footwear. 🙂
Taking long exposures is certainly interesting as the tripod gradually sinks into the silt.
This is just the sort of place where you should take emergency pants in case you unexpectedly sit down in the mud.
The following image was taken at Crib Point beach.
This image Barnacle Build was shot at Balnarring beach.
The following image The Threat of Punishment was taken at Grantville beach. All of the ground in this shot is mud.
Photography by Jim Worrall 