Australian seascape and landscape photography

ND filters

The Docking Station – Corinella

A high tide view of the docking station at Corinella. This is where the French Island barge docks to transfer vehicles and passengers to and from the mainland.

Docking Station - Corinella - French Island - Jim Worrall - Western Port Bay

Below – Old Man of the Sea, an old mangrove tree just a stone’s throw away from the docking station.

Old Man of the Sea - Corinella - Western Port Bay - Jim Worrall - mangrove


Down the Tea Tree Creek Track – Flinders

The entrance to the track begins where Tea Tree Creek meets the Boneo Road.
The mowed walking path follows a gentle slope downhill alongside the creek gully and down towards the beach.
Upon arrival at the beach, visitors are welcomed by the presence of a rusty metal wheel nestled amongst the undergrowth.

Tea Tree Creek - Flinders - Jim Worrall - Mornington Peninsula

East from here, the beach invites exploration for those willing to navigate across the black weather-worn rocks covering much of the beach.
The area also offers an impressive selection of rocky plateaus which are sometimes exposed and sometimes dramatically washed by the relentless surf.

Tea Tree Creek - Flinders - beach - Jim Worrall - misty

When exploring along this stretch of beach it’s a good idea to avoid an embarrassing or even life threatening situation by knowing what the tide is doing. Keep an eye out for the occasional rogue wave determined to sweep you off the rocks.

Tea Tree Creek - Flinders - Jim Worrall - beach - seascape

There’s an amazing amount to see, explore, experience and photograph here.
I’ll definitely be returning soon. 😉

Tea Tree Creek - Flinders - Jim Worrall - beach - misty


Playing in the Wind – Flinders, the Blowhole Track

A selection of images from the beach at the end of the Blowhole Track at Flinders on the lovely Mornington Peninsula.
On the day I was there the wind was so horrendously strong I had to push down hard on the tripod to stop it from vibrating and blurring all of the long exposure shots.

Pictured below – Flinders Beach, the Blowhole Track.

Flinders beach - Blowhole Track - Jim Worrall - long exposure - ND400

A very picturesque coastline battered by the relentless surf.

Flinders beach - Blowhole Track - Jim Worrall - long exposure - ND400

Flinders beach - Blowhole Track - Mornington Peninsula - Jim Worrall - long exposure


Exploring the Pointy End of Phillip Island

I’d been to this part of Phillip Island on previous occasions but I loved it so much I thought I’d revisit.
That’s one of the joys of photography, you can visit the same location on several occasions and come away with completely different images each time.

Pictured below – Old wooden remnants at Cat Bay, Phillip Island.

Cat Bay, Phillip Island - Jim Worrall - Australia - Seascape - ND400 - long exposure

Cat Bay, Phillip Island - Jim Worrall - Australia - seascape - ND400 - long exposure

Cat Bay, Phillip Island - Jim Worrall - Australia - seascape - beach - ND400 - long exposure

Pictured below – The beach at Right Point, Phillip Island, located between Cat Bay and the Nobbies. The violence of the ocean waves smoothed by the use of long exposure.
Right Point, Phillip Island - Jim Worrall - Australia -seascape - beach - ND400 - long exposure

Right Point, Phillip Island - Jim Worrall - Australia - seascape - beach - ND400 - long exposure


Daytime experiments with the ND400 filter.

The following long exposures were taken during daylight hours using an ND400 and ND8 filter stacked together on the front of my Sigma 10-20mm lens. The combination of these two filters attenuates so much light that peering into the viewfinder reveals an inky blackness even during bright daylight conditions.
It’s therefore necessary to compose the image BEFORE screwing the filters onto the lens. It’s also necessary to adjust the focus manually since the auto-focus system has no chance of working under such conditions.

*** (Update October 2012) The introduction of “live view” to many DSLR cameras means that is’s no longer necessary to compose and pre-focus with the dark filters off the lens. I shoot all the time now using live view to peer through the combined darkness of an ND400 and ND8. The filters now stay on the lens which means there is a lot less fiddling around. If you’re looking for a guide to show you how to use an ND400 have a look at my recent blog post here.***

I found that if I set the ISO as low as possible, and set the aperture very small (i.e. a high number), then it was possible to obtain a shutter duration of about 3 minutes. Such long exposures during daytime create some interesting images. I’m looking forward to experimenting more with the ND400.

Crevasse

Dancing with Scissors in My Mouth

Lapping at Tight Spaces

Down by Mother’s Trough

Planet Number Three